Pyotr Ilyich Tchaikovsky, Galina Vishnevskaya, Regina Resnik, Peter Gougaloff, Orchestre National De France, Mstislav Rostropovich's 'Pique Dame, Op. 68, TH. 10 / Act I: "Liza, otvori!"' came out on January 1, 1977. The duration of Pique Dame, Op. 68, TH. 10 / Act I: "Liza, otvori!" is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Pique Dame, Op. 68, TH. 10 / Act I: "Liza, otvori!"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 53 in the song's album "Tchaikovsky: Pique Dame". In this album, this song's track order is #20. Furthermore, we believe that the track originated from Germany. Pique Dame, Op. 68, TH. 10 / Act I: "Liza, otvori!" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pique Dame, Op. 68, TH. 10 / Act I: "Liza, otvori!" by Pyotr Ilyich Tchaikovsky, Galina Vishnevskaya, Regina Resnik, Peter Gougaloff, Orchestre National De France, Mstislav Rostropovich having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Deux Arabesques, L66: No. 1: Andantino con moto | Claude Debussy, Kathryn Stott | E Major | 0 | 12B | 73 BPM | ||
Grandes Etudes de Paganini, S.141: No.6 In A Minor | Franz Liszt, Daniil Trifonov | A Minor | 2 | 8A | 119 BPM | ||
Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172 | Franz Liszt, Lang Lang | D♭ Major | 0 | 3B | 74 BPM | ||
Sicilienne, Op. 78 | Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | E♭ Major | 1 | 5B | 123 BPM | ||
Les saisons (The Seasons), Op. 37b: XI. November: Troika | Ilya Rachkovsky | E Major | 0 | 12B | 74 BPM | ||
An der schönen blauen Donau, Waltz, Op. 314 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | D Major | 0 | 10B | 95 BPM | ||
Le Corsaire: Act II - "5. Grand Pas: Variation: Medora" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | F Major | 0 | 7B | 77 BPM | ||
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM |
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