"Tippett : Fantasia Concertante on a Theme of Corelli" by Michael Tippett, Chamber Orchestra of Europe, Douglas Boyd was released on March 1, 2004. Tippett : Fantasia Concertante on a Theme of Corelli appears to be safe for all ages as it is not explicit. The track order of this song in Douglas Boyd & Chamber Orchestra of Europe, Douglas Boyd, Richard Egarr, William Conway, Chamber Orchestra of Europe's "Music for Strings" album is number 8 out of 8. In terms of popularity, Tippett : Fantasia Concertante on a Theme of Corelli is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tippett : Fantasia Concertante on a Theme of Corelli by Michael Tippett, Chamber Orchestra of Europe, Douglas Boyd to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 1/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Young Person's Guide to the Orchestra, Op. 34: III. Variations E-H, Strings. Brillante, alla polacca - Meno mosso - Cominciando lento ma poco a poco accelerando | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | B Major | 0 | 1B | 124 BPM | ||
Cinderella Suite, Op. 87: Act I: Introduction | Sergei Prokofiev, Leonard Slatkin, St. Louis Symphony | F Major | 0 | 7B | 86 BPM | ||
Suite for String Orchestra, JW6 No. 2: V. Adagio | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | B♭ Major | 0 | 6B | 89 BPM | ||
Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: I. The Montagues and Capulets | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | C Major | 1 | 8B | 101 BPM | ||
Te Deum, WAB 45: I. Te Deum laudamus | Anton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Krassimira Stoyanova, Yvonne Naef, Christoph Strehl, Bavarian Radio Chorus | B♭ Major | 1 | 6B | 88 BPM | ||
The Holy Sonnets of John Donne, Op. 35: Sonnet XIV: Batter my heart | Benjamin Britten, Steuart Bedford, Philip Langridge | C Minor | 4 | 5A | 0 BPM | ||
Requiem, Op. 48: II. Offertory | Gabriel Fauré, Robert Shaw, Atlanta Symphony Orchestra | D Major | 0 | 10B | 75 BPM | ||
Britten: Simple Symphony, Op. 4: III. Sentimental Saraband | Benjamin Britten, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 3 | 9B | 82 BPM | ||
Concerto for Cello and Orchestra: II. Allegro appassionato | William Walton, Laura van der Heijden, BBC Scottish Symphony Orchestra, Ryan Wigglesworth | G Minor | 0 | 6A | 103 BPM | ||
A World in Mourning | Paul Edward-Francis | C Major | 0 | 8B | 169 BPM |
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