Bavarian Radio Symphony Orchestra, Werner Schmidt-Boelcke, Mady Rahl, Fritz Rasp, Ernst Fritz Fürbringer, Herbert Ernst Groh, Brigitte Mira, Willy Hofmann, Benno Kusche, Esther Rethy made "Arizona Lady: Act I - '' Dialog '', No. 4" available on November 24, 2011. The duration of Arizona Lady: Act I - '' Dialog '', No. 4 is about 3 minutes long, at 3:29. Based on our data, "Arizona Lady: Act I - '' Dialog '', No. 4" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Various Artists's "Kalmann: Arizona Lady" album is number 8 out of 45. Arizona Lady: Act I - '' Dialog '', No. 4 is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Arizona Lady: Act I - '' Dialog '', No. 4 by Bavarian Radio Symphony Orchestra, Werner Schmidt-Boelcke, Mady Rahl, Fritz Rasp, Ernst Fritz Fürbringer, Herbert Ernst Groh, Brigitte Mira, Willy Hofmann, Benno Kusche, Esther Rethy to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 9 in C Major, D. 944 - "The Great": II. Andante con moto | Franz Schubert, Bavarian Radio Symphony Orchestra, Eugen Jochum | A Minor | 0 | 8A | 108 BPM | ||
Serse, HWV 40 (Sung in German), Act II: Act II Scene 6: Recitative: Da der Schmerz mich nicht tötet (Amastris, Elviro) | George Frideric Handel, Bavarian Radio Symphony Orchestra, Hertha Töpper, Max Proebstl, Rafael Kubelík | G Minor | 1 | 6A | 118 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Kyung Wha Chung, Royal Philharmonic Orchestra, Rudolf Kempe | E♭ Major | 1 | 5B | 101 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Quoniam | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | B♭ Minor | 1 | 3A | 85 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
Khovanshchina: Overture (Prelude) | Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 0 | 3B | 90 BPM | ||
Scènes bohémiennes la jolie fille de perth: Danse bohémienne | Georges Bizet, Orchestre Philharmonique des Pays de Loire, Marc Soustrot | B Minor | 1 | 10A | 81 BPM | ||
Sweelinck Variations, Op. 56 "Mein junges Leben hat ein End'": Variation 3. Energico (non troppo vivace) | Karl Höller, Bavarian Radio Symphony Orchestra, Eugen Jochum | D Minor | 5 | 7A | 117 BPM | ||
Konzertstück for 4 Horns and Orchestra in F Major, Op. 86: 4本のホルンと管弦楽のためのコンツェルトシュトゥック ヘ長調作品86 第1楽章 | Robert Schumann, Paavo Järvi, Deutsche Kammerphilharmonie Bremen | F Major | 0 | 7B | 70 BPM | ||
Pini di Roma, P. 141: I. I pini di Villa Borghese (Live) | Ottorino Respighi, Bavarian Radio Symphony Orchestra, Mariss Jansons | F Major | 3 | 7B | 77 BPM |
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