"Triakontameron, 30 Moods and Scenes in Triple Measure: No. 1. Nocturnal Tangier (arr. F. Kreisler for violin and piano)" by Fritz Kreisler, Leopold Godowsky, Nazrin Rashidova, Roderick Chadwick was released on June 4, 2013. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Leopold Godowsky, Nazrin Rashidova's "Godowsky: 12 Impressions" album is number 17 out of 17. Triakontameron, 30 Moods and Scenes in Triple Measure: No. 1. Nocturnal Tangier (arr. F. Kreisler for violin and piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Triakontameron, 30 Moods and Scenes in Triple Measure: No. 1. Nocturnal Tangier (arr. F. Kreisler for violin and piano) by Fritz Kreisler, Leopold Godowsky, Nazrin Rashidova, Roderick Chadwick to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Introduction and Rondo capriccioso in A Minor | Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 1 | 8A | 91 BPM | ||
Egmont, Op. 84: Overture | Ludwig van Beethoven, Madeleine Pierard, Claus Obalski, New Zealand Symphony Orchestra, James Judd | F Minor | 1 | 4A | 173 BPM | ||
Violin Sonata No. 1 in G Minor, BWV 1001: II. Fuga: Allegro | Johann Sebastian Bach, Ilya Kaler | C Major | 7 | 8B | 82 BPM | ||
Debussy: Piano Trio in G Major, L. 5: II. Scherzo - Intermezzo - Moderato con allegro | Claude Debussy, Bertrand Chamayou | F♯ Minor | 0 | 11A | 80 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Piano Concerto in A Minor, Op.16: III. Allegro moderato molto e marcato | Edvard Grieg, Javier Perianes, BBC Symphony Orchestra, Sakari Oramo | F Major | 2 | 7B | 114 BPM | ||
Sonata for Violin and Guitar in D Major, Op. 2, No. 5, MS 26: Allegro spiritoso | Niccolò Paganini, Scott St. John, Simon Wynberg | D Major | 1 | 10B | 86 BPM | ||
Allegro molto in C Minor | Fanny Mendelssohn, Heather Schmidt | F Minor | 2 | 4A | 79 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
Moto perpetuo (Arr. By Fritz Kreisler) | Niccolò Paganini, Fritz Kreisler, Johann Sebastian Bach, Daniel Röhn, Paul Rivinius | C Major | 4 | 8B | 172 BPM |
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