Armide: Act IV, Scene 1: Le Chevalier Danois, Ubalde : "Nous ne trouvons partout" - Jean-Baptiste Lully, Bernard Deletré, Philippe Herreweghe, Collegium Vocale Gent, Gilles Ragon, La Chapelle Royale Information

Acousticness: 92%
Danceability: 44%
Energy: 20%
Instrumentalness: 0%
Liveness: 17%
Loudness: 63%
Speechiness: 4%
Valence: 66%
Popularity: 2%
Loudness: -22.48 dB

Summary

Jean-Baptiste Lully, Bernard Deletré, Philippe Herreweghe, Collegium Vocale Gent, Gilles Ragon, La Chapelle Royale made "Armide: Act IV, Scene 1: Le Chevalier Danois, Ubalde : "Nous ne trouvons partout"" available on 1993. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jean-Baptiste Lully, Philippe Herreweghe, La Chapelle Royale, Collegium Vocale Gent's "Lully: Armide" album is number 7 out of 39. Based on our statistics, Armide: Act IV, Scene 1: Le Chevalier Danois, Ubalde : "Nous ne trouvons partout"'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Armide: Act IV, Scene 1: Le Chevalier Danois, Ubalde : "Nous ne trouvons partout" BPM

We consider the tempo marking of Armide: Act IV, Scene 1: Le Chevalier Danois, Ubalde : "Nous ne trouvons partout" by Jean-Baptiste Lully, Bernard Deletré, Philippe Herreweghe, Collegium Vocale Gent, Gilles Ragon, La Chapelle Royale to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Armide: Act IV, Scene 1: Le Chevalier Danois, Ubalde : "Nous ne trouvons partout" Key

This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: III. Allegro	George Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona Brown	G Minor	4	6A	120 BPM
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise	George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich	A♭ Minor	0	1A	96 BPM
Te deum, LWV 55: Tibi omnes angeli	Jean-Baptiste Lully, Chœur De Chambre De Namur, Millenium Orchestra, Cappella Mediterranea, Leonardo García-Alarcón, Sophie Junker, Judith van Wanroij, Matthias Vidal, Cyril Auvity, Alain Buet	B♭ Major	5	6B	98 BPM
Brandenburg Concerto No. 5 In D Major, BWV 1050: 1. Allegro	Johann Sebastian Bach, Musica Antiqua Köln, Reinhard Goebel	D♭ Major	2	3B	99 BPM
Symphony No. 3 in C Major, Op. 2, "The Chaplet": III. Tempo di Menuetto	William Boyce, Aradia Ensemble, Kevin Mallon	B Major	0	1B	99 BPM
Mystery (Rosary) Sonata No. 2, "The Visitation": I. —	Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia	A♭ Major	0	4B	78 BPM
Atys, Acte IV, Scène 6: "Venez former" (Chœur de Dieux & Divinités)	Jean-Baptiste Lully, Guy De Mey, Jean-François Gardeil, Bernard Deletré, Les Arts Florissants, William Christie	B Major	2	1B	91 BPM
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo	Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek	D Major	1	10B	119 BPM
Trumpet Sonata in D Major, Z. 850: I. Allegro	Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra	E♭ Minor	0	2A	83 BPM
Stabat Mater: 3. O quam tristis	Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson	G Minor	1	6A	80 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6768662929534912

End: 0.6845231056213379