Johann Sebastian Bach, Sibylla Rubens, Eva Kirchner, James Taylor, Matthias Goerne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling made "Was mir behagt, ist nur die muntre Jagd!, BWV 208, "Hunt Cantata": Recitative: Ich liebe dich zwar noch! (Soprano, Tenor)" available on January 1, 2000. The duration of Was mir behagt, ist nur die muntre Jagd!, BWV 208, "Hunt Cantata": Recitative: Ich liebe dich zwar noch! (Soprano, Tenor) is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Was mir behagt, ist nur die muntre Jagd!, BWV 208, "Hunt Cantata": Recitative: Ich liebe dich zwar noch! (Soprano, Tenor)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 21 in Bach, J.S.: Secular Cantatas, Bwv 208 and Bwv 209 by Johann Sebastian Bach, Helmuth Rilling. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Was mir behagt, ist nur die muntre Jagd!, BWV 208, "Hunt Cantata": Recitative: Ich liebe dich zwar noch! (Soprano, Tenor) is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Was mir behagt, ist nur die muntre Jagd!, BWV 208, "Hunt Cantata": Recitative: Ich liebe dich zwar noch! (Soprano, Tenor) by Johann Sebastian Bach, Sibylla Rubens, Eva Kirchner, James Taylor, Matthias Goerne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling is Presto (very, very fast), since this song has a tempo of 189 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Chorale Preludes, BV B 50: Herzlich tut mich verlangen, Op. 122/10 | Johannes Brahms, Ferruccio Busoni, Igor Levit | A Minor | 0 | 8A | 84 BPM | ||
Matthäus-Passion: Erster Teil, 1. Chorus I & II Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs | E♭ Minor | 3 | 2A | 77 BPM | ||
Concerto for Violin & Oboe in C Minor, BWV 1060R: II. Adagio | Johann Sebastian Bach, Alexei Ogrintchouk, Alina Ibragimova, Swedish Chamber Orchestra, Reinut Tepp | C Minor | 1 | 5A | 84 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Keyboard Suite No. 5 in E Major, HWV 430: IV. Air and Doubles ("Harmonious Blacksmith") | George Frideric Handel, Philip Edward Fisher | E Major | 1 | 12B | 126 BPM | ||
Suite No. 2 in D Minor, BWV 1008 (Arr. for Piano by Thomas Jarry): VI. Gigue | Johann Sebastian Bach, Thomas Jarry | D Minor | 2 | 7A | 110 BPM | ||
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | ||
Bach, J.S.: Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai | Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment | E Major | 3 | 12B | 109 BPM | ||
Nocturne No.11 In G Minor, Op.37 No.1 | Frédéric Chopin, Maurizio Pollini | B♭ Major | 0 | 6B | 75 BPM | ||
Overture in G Major, TWV 55:10 "Burlesque de Quixotte": Ses soupirs amoureux après la Princesse Dulcinée | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | G Major | 0 | 9B | 117 BPM |
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