- BPM
- 170
- Key
- A Major
- Camelot
- 11B
Le Corsaire: Act III - "17. Variation: Conrad (Reprise: First Character Dance)" - Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes Information
- Acousticness
- 91%
- Danceability
- 41%
- Energy
- 5%
- Instrumentalness
- 3%
- Liveness
- 10%
- Loudness
- 54%
- Speechiness
- 5%
- Valence
- 64%
- Popularity
- 5%
- Loudness
- -27.527 dB
Summary
Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes made "Le Corsaire: Act III - "17. Variation: Conrad (Reprise: First Character Dance)"" available on October 14, 2011. With Le Corsaire: Act III - "17. Variation: Conrad (Reprise: First Character Dance)" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Evergreen Symphony Orchestra, Anna-Marie Holmes, Kevin Galiè's "Le Corsaire - A Ballet in Three Acts" album is number 37 out of 70. On top of that, United States appears to be the country where this track was created. The popularity of Le Corsaire: Act III - "17. Variation: Conrad (Reprise: First Character Dance)" is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Le Corsaire: Act III - "17. Variation: Conrad (Reprise: First Character Dance)" BPM
We consider the tempo marking of Le Corsaire: Act III - "17. Variation: Conrad (Reprise: First Character Dance)" by Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
Le Corsaire: Act III - "17. Variation: Conrad (Reprise: First Character Dance)" Key
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16e, Pas de deux de Fanny Elssler. Coda | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | F Major | 3 | 7B | 151 BPM | |
 | Gaîté parisienne: Barcarolle | Jacques Offenbach, Boston Symphony Orchestra, Seiji Ozawa | A Minor | 0 | 8A | 135 BPM | |
 | Serenade For Strings, Op.11 | Dag Wirén, Johannes Somary, English Chamber Orchestra | G Major | 3 | 9B | 135 BPM | |
 | L’arlésienne Suite No. 1, Op. 23bis, WD 40: I. Prélude | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | C Minor | 0 | 5A | 87 BPM | |
 | Sorochinskaya yarmarka (Sorochintsi Fair): Gopak (Hopak) (arr. N. Rimsky-Korsakov for orchestra) | Modest Mussorgsky, Nikolai Rimsky-Korsakov, Ukraine National Symphony Orchestra, Theodore Kuchar | E♭ Major | 2 | 5B | 66 BPM | |
![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] by Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d) | Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | |
 | Symphony No. 1 in C Minor: III. Menuetto. Moderato | Antonio Casimir Cartellieri, Evergreen Symphony Orchestra, Gernot Schmalfuss | F Minor | 0 | 4A | 107 BPM | |
 | Emeralds - Faure: Incidental music to Pelleas et Melisande, Op. 80 and Shylock, Op. 57; Shylock - Entr'acte: Andante moderato; Allegretto | Gabriel Fauré, NEW YORK CITY BALLET ORCHESTRA/ROBERT IRVING, CONDUCTOR | A Major | 1 | 11B | 114 BPM | |
 | Sinfonia in F Major: II. Adagio | Theodor von Schacht, Evergreen Symphony Orchestra, Gernot Schmalfuss | G Major | 3 | 9B | 129 BPM | |
 | La Bayadère / Act 1: No. 25 Allegro | Ludwig Minkus, English Chamber Orchestra, Richard Bonynge | A Major | 1 | 11B | 175 BPM |
- ISRC
- ushm91118332
- Label
- L-M Records/RCA Records
Section: 0.6783792972564697
End: 0.6818492412567139