David Garrett made "Carnival Of Venice" available on January 1, 2013. The duration of Carnival Of Venice is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Carnival Of Venice's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in David Garrett's "Garrett vs. Paganini" album is number 14 out of 15. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Carnival Of Venice's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Carnival Of Venice by David Garrett to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Dance of the Goblins. Op. 25 | Antonio Bazzini, Sarah Chang, Charles Abramovic | G Major | 3 | 9B | 93 BPM | ||
Sobre las Olas | Juventino Rosas, Alondra de la Parra, Philharmonic Orchestra of the Americas | G Major | 2 | 9B | 93 BPM | ||
Por Una Cabeza - Live | Caroline Campbell | B♭ Major | 2 | 6B | 74 BPM | ||
Il barbiere di Siviglia (The Barber of Seville), Act I: Cavatina: Largo al factotum della citta | Gioachino Rossini, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | C Major | 3 | 8B | 99 BPM | ||
Bizet: Carmen: No. 1 Prélude | Georges Bizet, Michel Plasson, Orchestre National Du Capitole De Toulouse, Wolff | D Minor | 3 | 7A | 129 BPM | ||
Andante spianato et Grande polonaise brillante, Op. 22: Grande Polonaise in E-flat Major. Molto allegro | Frédéric Chopin, Janusz Olejniczak, Tadeusz Strugala, The Warsaw Philharmonic National Orchestra of Poland | E♭ Major | 2 | 5B | 109 BPM | ||
Csardas | Vittorio Monti, Robert Koenig, Si-Qing Lu | D Major | 1 | 10B | 175 BPM | ||
The Nutcracker Suite | Pyotr Ilyich Tchaikovsky, HAUSER, Robert Ziegler, London Symphony Orchestra | E Minor | 4 | 9A | 77 BPM | ||
Concerto Grosso in A Minor for Two Violins, Op. 3 No. 8: Allegro | David Oistrakh, Igor Oistrakh | A Minor | 2 | 8A | 96 BPM | ||
Carmen / Act 2: Toreador Song: "Votre toast, je peux vous le rendre" (from Carmen / Act 2) | Georges Bizet, Barry Wordsworth, Bryn Terfel, London Symphony Orchestra | B♭ Minor | 4 | 3A | 112 BPM |
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