"Serenade for tenor, horn & strings, Op. 31: Hymn - Queen And Huntress Chaste And Fair" by Benjamin Britten, Robert Tear, Dale Clevenger, Chicago Symphony Orchestra, Carlo Maria Giulini was released on January 1, 2011. The duration of Serenade for tenor, horn & strings, Op. 31: Hymn - Queen And Huntress Chaste And Fair is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Serenade for tenor, horn & strings, Op. 31: Hymn - Queen And Huntress Chaste And Fair's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Chicago Symphony Orchestra, Carlo Maria Giulini's "Giulini in America (II)" album is number 9 out of 49. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Serenade for tenor, horn & strings, Op. 31: Hymn - Queen And Huntress Chaste And Fair's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Serenade for tenor, horn & strings, Op. 31: Hymn - Queen And Huntress Chaste And Fair by Benjamin Britten, Robert Tear, Dale Clevenger, Chicago Symphony Orchestra, Carlo Maria Giulini to be Vivace (lively and fast) because the track has a tempo of 159 BPM, a half-time of 80BPM, and a double-time of 318 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 1/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wagner: Lohengrin, WWV 75: Prelude to Act 1 | Richard Wagner, Daniel Barenboim, Staatskapelle Berlin | D Minor | 1 | 7A | 144 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Carmina Burana: III. Veris leta facies | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | D Major | 0 | 10B | 127 BPM | ||
Tristan und Isolde, WWV 90: Prelude To Act I | Richard Wagner, Gewandhausorchester Leipzig, Andris Nelsons | A Minor | 1 | 8A | 79 BPM | ||
Brandenburg Concerto No. 5 in D, BWV 1050: 1. Allegro | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | D Major | 2 | 10B | 85 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
Symphony No. 3 in C Minor: II. Andante ma non troppo | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | A♭ Major | 0 | 4B | 88 BPM | ||
5 Bagatelles, Op. 23a (Arr. L. Ashmore for Clarinet & Strings): No. 5, Fughetta. Allegro vivace | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | F Major | 1 | 7B | 137 BPM | ||
The Seasons, Op. 67, Pt. 1 "L'hiver": No. 4, Variation de la glace | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": I. C.A.E. (The Composer's Wife). L'istesso tempo | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 98 BPM |
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