Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten made "Brandenburg Concerto No. 5 in D, BWV 1050: 1. Allegro" available on January 1, 1995. Brandenburg Concerto No. 5 in D, BWV 1050: 1. Allegro appears to be safe for all ages as it is not explicit. The song is number 1 out of 25 in Bach, J.S.: Brandenburg Concertos etc. by Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten, Carmel Kaine, Emanuel Hurwitz, Philip Ledger, Sir Neville Marriner, Tess Miller, William Bennett. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Brandenburg Concerto No. 5 in D, BWV 1050: 1. Allegro is average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Brandenburg Concerto No. 5 in D, BWV 1050: 1. Allegro by Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasía para un gentilhombre for Guitar and Small Orchestra: I. Villano y ricercare (Adagietto - Andante moderato) - Version 1977 | Joaquín Rodrigo, Narciso Yepes, English Chamber Orchestra, Luis Antonio García Navarro | A Major | 1 | 11B | 107 BPM | ||
Oboe Concerto No.1 In B Flat, HWV 301: 1. Adagio | George Frideric Handel, Heinz Holliger, English Chamber Orchestra, Raymond Leppard | B♭ Major | 2 | 6B | 69 BPM | ||
Keyboard Sonatina In F Major, Op. 36, No. 4: II. Andante Con Espressione | Muzio Clementi, Balazs Szokolay | B♭ Major | 1 | 6B | 132 BPM | ||
24 Caprices for Violin, Op. 1, MS. 25: No. 24 in A Minor | Niccolò Paganini, Salvatore Accardo | A Minor | 1 | 8A | 167 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Nocturne No.5 In F Sharp, Op.15 No.2 | Frédéric Chopin, Maurizio Pollini | F♯ Major | 0 | 2B | 125 BPM | ||
Trio Sonata in C Minor, BWV 526: I. Vivace | Johann Sebastian Bach, The Brook Street Band | B Minor | 2 | 10A | 106 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM | ||
Brandenburg Concerto No. 1 In F Major, BWV 1046: III. Allegro | Cologne Chamber Orchestra, Johann Sebastian Bach | C Major | 3 | 8B | 99 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM |
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