"Cello Sonata in E Minor, Op. 14, No. 5, RV 40: III. Largo" by Antonio Vivaldi, Martin Rummel, James Tibbles was released on July 5, 2011. The duration of Cello Sonata in E Minor, Op. 14, No. 5, RV 40: III. Largo is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Cello Sonata in E Minor, Op. 14, No. 5, RV 40: III. Largo's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi (Dallapiccola): Cellosonaten by Antonio Vivaldi, Martin Rummel. The song's track number on the album is #19 out of 48 tracks. In terms of popularity, Cello Sonata in E Minor, Op. 14, No. 5, RV 40: III. Largo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Cello Sonata in E Minor, Op. 14, No. 5, RV 40: III. Largo by Antonio Vivaldi, Martin Rummel, James Tibbles has a tempo of 102 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Cello Sonata in E Minor, Op. 14, No. 5, RV 40: III. Largo being at 102 BPM, the half-time would be 51 BPM with a double-time of 204 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: III. Allegro | George Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona Brown | G Minor | 4 | 6A | 120 BPM | ||
Waltz No. 10 in B Minor, Op. 69, No. 2 | Frédéric Chopin, Idil Biret | B Minor | 0 | 10A | 155 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | ||
Violin Concerto No. 1 in A minor, BWV 1041: I. (Allegro moderato) | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | A Minor | 4 | 8A | 91 BPM | ||
The 4 Seasons: Violin Concerto in G minor, Op. 8, No. 2, RV 315, "L'estate" (Summer): I. Allegro non moto | Karoly Botvay | G Minor | 1 | 6A | 132 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 127 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio | Ludwig van Beethoven, Nicolaus Esterhazy Sinfonia, Béla Drahos | A Major | 3 | 11B | 146 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM |
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