"6 Sonatas for Violin Solo, Op. 27 / Sonata No. 2 in A Minor: II. Malinconia" by Eugène Ysaÿe, Hilary Hahn was released on July 14, 2023. The duration of 6 Sonatas for Violin Solo, Op. 27 / Sonata No. 2 in A Minor: II. Malinconia is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. 6 Sonatas for Violin Solo, Op. 27 / Sonata No. 2 in A Minor: II. Malinconia's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Ysaÿe: 6 Sonatas for Violin Solo, Op. 27 by Eugène Ysaÿe, Hilary Hahn. The song's track number on the album is #6 out of 15 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, 6 Sonatas for Violin Solo, Op. 27 / Sonata No. 2 in A Minor: II. Malinconia is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since 6 Sonatas for Violin Solo, Op. 27 / Sonata No. 2 in A Minor: II. Malinconia by Eugène Ysaÿe, Hilary Hahn has a tempo of 95 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With 6 Sonatas for Violin Solo, Op. 27 / Sonata No. 2 in A Minor: II. Malinconia being at 95 BPM, the half-time would be 48 BPM with a double-time of 190 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scriabin: 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Mikhail Pletnev | C Major | 1 | 8B | 63 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
String Quartet No.14 In C Sharp Minor, Op.131: 6. Adagio quasi un poco andante | Ludwig van Beethoven, Emerson String Quartet | A♭ Minor | 0 | 1A | 91 BPM | ||
Piano Sonata No. 3 in B Minor, Op. 58: II. Scherzo. Molto vivace - Trio | Frédéric Chopin, Rafał Blechacz | E Major | 1 | 12B | 71 BPM | ||
6 Impromptus, Op. 5: Impromptu No. 5 in B Minor | Jean Sibelius, Håvard Gimse | B Minor | 0 | 10A | 84 BPM | ||
Coming to | Christos Hatzis, Hilary Hahn, Cory Smythe | C Major | 1 | 8B | 65 BPM | ||
Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | D Major | 1 | 10B | 89 BPM | ||
6 Melodies, Op. 4 - 6 melodies, Op. 5: Allegretto | Fanny Mendelssohn, Beatrice Rauchs | D♭ Minor | 0 | 12A | 140 BPM | ||
Serenade: I. Phaedrus - Pausanias. Lento - Allegro | Leonard Bernstein, Hilary Hahn, David Zinman, Baltimore Symphony Orchestra | F Minor | 1 | 4A | 168 BPM | ||
2 Pieces for Cello & Orchestra, Op. 20: No. 2, Sérénade espagnole | Alexander Glazunov, Daniel Müller-Schott, Deutsches Symphonie-Orchester Berlin, Aziz Shokhakimov | D Major | 2 | 10B | 99 BPM |
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