Handel, Honor Sheppard, Oriana Concert Orchestra, Alfred Deller, Max Worthley, Oriana Concert Choir, Maurice Bevan made "Alexander's Feast, Ode for St. Cecilia's Day, HWV75: Part 1: Air: With ravish'd ears" available on February 19, 2013. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 26 out of 302 in Big Handel Box by Handel, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Alexander's Feast, Ode for St. Cecilia's Day, HWV75: Part 1: Air: With ravish'd ears is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Alexander's Feast, Ode for St. Cecilia's Day, HWV75: Part 1: Air: With ravish'd ears by Handel, Honor Sheppard, Oriana Concert Orchestra, Alfred Deller, Max Worthley, Oriana Concert Choir, Maurice Bevan is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Act III - Chorus "Hallelujah-amen" | Handel, Heather Harper, Helen Watts, Alexander Young, John Shirley-Quirk, ECO/Somary | D Major | 3 | 10B | 95 BPM | ||
Serenade No. 5, Op. 3 | The Jane Austen Era | G Major | 1 | 9B | 95 BPM | ||
Theodora, HWV 68: Chorus: He saw the lovely youth, death's early prey | Handel, English Chamb Orch, Maureen Lehane* F Major | 1 | 7B | 77 BPM | | ||
Violin Concerto No. 1 in A minor, BWV 1041: III. Allegro assai | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | A Minor | 4 | 8A | 123 BPM | ||
String Quartet No. 2 in D Major, K. 155: III. Molto allegro | Eder Quartet | D Major | 1 | 10B | 153 BPM | ||
Mouret: Fanfares pour des trompettes, timbales, violons et hautbois: IV. Guay | Jean-Joseph Mouret, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | D Major | 4 | 10B | 0 BPM | ||
Flute Sonata in A Minor, Wq. 132, H. 562: II. Allegro | Carl Philipp Emanuel Bach, Emmanuel Pahud | A Minor | 0 | 8A | 106 BPM | ||
"Marche de triomphe et Second air de trompette" in D Major: I. Marche de triomphe | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 6 | 3B | 87 BPM | ||
Invitation to the Dance, Op. 65 (Aufforderung zum Tanze) - Orchestrated By H. Berlioz: Moderato - Allegro vivace - Vivace - Moderato | Carl Maria von Weber, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 122 BPM | ||
Abdelazar Suite, Z. 570: II. Rondeau | Henry Purcell, Camerata Nordica, Terje Tonnesen | A Major | 0 | 11B | 84 BPM |
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