"Suite du 1er ton, 1er livre 1676: Cromorne en taille" by Nicolas Lebègue, Thierry Maeder was released on October 15, 1996. The duration of Suite du 1er ton, 1er livre 1676: Cromorne en taille is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Suite du 1er ton, 1er livre 1676: Cromorne en taille's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Nicolas Lebègue, Thierry Maeder's "Lebègue : Pièces d'orgue" album is number 4 out of 33. On top of that, France appears to be the country where this track was created. Suite du 1er ton, 1er livre 1676: Cromorne en taille is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite du 1er ton, 1er livre 1676: Cromorne en taille by Nicolas Lebègue, Thierry Maeder to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Iam Lucis Orto Sidere | The Royal Wind Music | E♭ Major | 1 | 5B | 108 BPM | ||
Monteverdi: Ottavo libro di madrigali "Guerrieri et amorosi", No. 22, Il ballo delle ingrate, SV 167: Ballo | Claudio Monteverdi, English Baroque Soloists, John Eliot Gardiner | A Minor | 0 | 8A | 95 BPM | ||
Biber: Plaudite tympana a 54 | Heinrich Ignaz Franz von Biber, Amsterdam Baroque Orchestra, Ton Koopman, Amsterdam Baroque Choir | A♭ Major | 2 | 4B | 85 BPM | ||
Fantasia I sopra Ut-Re-Mi-Fa-Sol-La, FbWV 201: VI. Pt. 5 | Johann Jakob Froberger, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Marais: Pièces en trio: Suite No. 4 en si bémol majeur: IV. Gigue | Marin Marais, Ensemble Amalia | A Major | 0 | 11B | 76 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5: II. Vivace (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Sinfonia Nо. 3 in fa minore (La morte d'Abel): II. Larghetto | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
Te deum, LWV 55: VIII. Te ergo quaesumus | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Keyboard Concerto No. 2 in G Major: II. Grave | Johann Adolf Hasse, Janos Sebestyen | E Minor | 1 | 9A | 73 BPM | ||
Görlitzer Tabulaturbuch: Gelobet seist du, Jesu Christ, SSWV 442a | Samuel Scheidt, Christoph Lehmann | A Major | 0 | 11B | 67 BPM |
Section: 0.5716941356658936
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