Caprices en forme de valse, Op. 2: No. 1. Caprice in C Major - Clara Schumann, Susanne Grutzmann Information

Acousticness: 99%
Danceability: 44%
Energy: 28%
Instrumentalness: 80%
Liveness: 17%
Loudness: 69%
Speechiness: 5%
Valence: 5%
Popularity: 1%
Loudness: -18.555 dB

Summary

"Caprices en forme de valse, Op. 2: No. 1. Caprice in C Major" by Clara Schumann, Susanne Grutzmann was released on January 1, 2007. The duration of Caprices en forme de valse, Op. 2: No. 1. Caprice in C Major is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Caprices en forme de valse, Op. 2: No. 1. Caprice in C Major's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 66 in the song's album "Schumann, C.: Piano Works". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. Caprices en forme de valse, Op. 2: No. 1. Caprice in C Major is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Caprices en forme de valse, Op. 2: No. 1. Caprice in C Major BPM

With Caprices en forme de valse, Op. 2: No. 1. Caprice in C Major by Clara Schumann, Susanne Grutzmann having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Caprices en forme de valse, Op. 2: No. 1. Caprice in C Major Key

F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Kol Nidrei - Adagio For Cello, Opus 47	Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim	D Major	1	10B	81 BPM
Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante	Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek	D Major	0	10B	114 BPM
La pentola magica, P. 129: Preludio	Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano	D Minor	0	7A	91 BPM
The Seasons, Op. 37b: VI. June, "Barcarolle"	Pyotr Ilyich Tchaikovsky, Yefim Bronfman	G Minor	0	6A	87 BPM
Kinderszenen, Op.15: 12. Kind im Einschlummern	Robert Schumann, Martha Argerich	E Minor	0	9A	123 BPM
Romance in A Minor	Clara Schumann, Jozef De Beenhouwer	A Minor	0	8A	136 BPM
Chaconne in sol maggiore : Variazione 10	Lazar Berman	G Minor	0	6A	71 BPM
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert]	Franz Liszt, Oxana Yablonskaya	D Major	0	10B	66 BPM
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924	Janos Sebestyen, Johann Sebastian Bach	C Major	2	8B	139 BPM
Elegies BV 249: VII. Berceuse	Ferruccio Busoni, Igor Levit	C Major	0	8B	67 BPM

ISRC: DEAD70706555
Label: L-M Records/RCA Records

Section: 0.7231206893920898

End: 0.7264957427978516