Requiem in D Minor, K. 626: IV. Offertorium: Hostias - Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Concentus Musicus Wien Information

Acousticness: 98%
Danceability: 22%
Energy: 13%
Instrumentalness: 37%
Liveness: 11%
Loudness: 66%
Speechiness: 3%
Valence: 5%
Popularity: 13%
Loudness: -20.33 dB

Summary

"Requiem in D Minor, K. 626: IV. Offertorium: Hostias" by Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Concentus Musicus Wien was released on July 12, 2004. The duration of Requiem in D Minor, K. 626: IV. Offertorium: Hostias is about 3 minutes long, at 3:02. Based on our data, "Requiem in D Minor, K. 626: IV. Offertorium: Hostias" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Nikolaus Harnoncourt's "Mozart: Requiem" album is number 10 out of 14. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Requiem in D Minor, K. 626: IV. Offertorium: Hostias is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Requiem in D Minor, K. 626: IV. Offertorium: Hostias BPM

We consider the tempo marking of Requiem in D Minor, K. 626: IV. Offertorium: Hostias by Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Concentus Musicus Wien to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Requiem in D Minor, K. 626: IV. Offertorium: Hostias Key

The music key of this track is C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Borodin - String Quartet No.2 in D major: Notturno: Andante	Alexander Borodin, Borodin Quartet	A Major	2	11B	74 BPM
Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante	Ludwig van Beethoven, Mischa Maisky, Martha Argerich	C Major	0	8B	66 BPM
Études, Op. 10: Etude No. 6 in E-Flat Minor, Op. 10, No. 6	Frédéric Chopin, Idil Biret	A♭ Major	0	4B	73 BPM
Symphony No. 40 in G Minor, K. 550: I. Molto allegro (Arr. J.N. Hummel for flute, violin, cello and piano)	Wolfgang Amadeus Mozart, Fumiko Shiraga, Henrik Wiese, Peter Clemente, Tibor Benyi	G Minor	1	6A	114 BPM
Minuet No. 1 in G Major (Formerly Attrib. J.S. Bach as BWV Anh. 114)	Lang Lang	G Major	1	9B	119 BPM
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor	Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz	F Major	1	7B	83 BPM
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro	Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana	D Major	3	10B	129 BPM
Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo. Allegro	Joseph Haydn, Frédéric Lodéon, Theodor Guschlbauer, Bournemouth Sinfonietta	B♭ Major	0	6B	183 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile	Max Bruch, Joshua Bell, Academy of St. Martin in the Fields	E♭ Major	2	5B	60 BPM
L’arlésienne Suite No. 1, Op. 23bis, WD 40: IV. Carillon	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	E Major	0	12B	143 BPM

ISRC: DEE470400103
Label: L-M Records/RCA Records

Section: 0.9692449569702148

End: 0.9745702743530273