"Aladdin Op. 34, Fairy Tale Drama in Five Acts, Act V: No. 28, Fatime's Song" by Carl Nielsen, Gennady Rozhdestvensky, Danish National Symphony Orchestra, Guido Paevatalu, Mette Ejsing, Danish National Radio Chamber Choir had its release date on February 1, 1993. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Aladdin Op. 34, Fairy Tale Drama in Five Acts, Act V: No. 28, Fatime's Song's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "Nielsen: "Aladdin"". In this album, this song's track order is #28. The popularity of Aladdin Op. 34, Fairy Tale Drama in Five Acts, Act V: No. 28, Fatime's Song is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Aladdin Op. 34, Fairy Tale Drama in Five Acts, Act V: No. 28, Fatime's Song by Carl Nielsen, Gennady Rozhdestvensky, Danish National Symphony Orchestra, Guido Paevatalu, Mette Ejsing, Danish National Radio Chamber Choir having a BPM of 192 with a half-time of 96 BPM and a double-time of 384 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pièce, Op. 189 | Mel Bonis, Juliette Hurel, Hélène Couvert | C Major | 0 | 8B | 94 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich" | Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 1 | 10A | 93 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
String Quartet No. 16 in F Major, Op. 135: II. Vivace | Ludwig van Beethoven, Danish String Quartet | F Major | 2 | 7B | 92 BPM | ||
Poulenc: Concerto for Two Pianos in D Minor, FP 61: II. Larghetto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | B♭ Major | 0 | 6B | 84 BPM | ||
String Quartet in G minor | Antonios Fotopoulos, Antonis Fotopoulos | A♭ Major | 0 | 4B | 58 BPM | ||
Impromptu for Viola & Piano, Op. 33 | Dmitri Shostakovich, Matthew Lipman, Henry Kramer | A Minor | 0 | 8A | 98 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Symphony No. 7 in D Minor, Op. 70, B. 141: III. Scherzo. Vivace - Poco meno mosso | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 174 BPM | ||
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM |