Michael Berkeley, David Malouf, Fleur Barron, Berkeley Ensemble, Dominic Grier's 'Winter Fragments: VII. Time That Knows More' came out on September 28, 2018. The duration of Winter Fragments: VII. Time That Knows More is about 3 minutes long, at 3:15. Based on our data, "Winter Fragments: VII. Time That Knows More" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Winter Fragments: Chamber Music by Michael Berkeley by Michael Berkeley, Fleur Barron, Berkeley Ensemble, Dominic Grier. The song's track number on the album is #11 out of 13 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Winter Fragments: VII. Time That Knows More is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Winter Fragments: VII. Time That Knows More by Michael Berkeley, David Malouf, Fleur Barron, Berkeley Ensemble, Dominic Grier has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Winter Fragments: VII. Time That Knows More being at 79 BPM, the half-time would be 40 BPM with a double-time of 158 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Profundamente | André Mehmari, Alejandro Aldana | F Major | 1 | 7B | 71 BPM | ||
Mozart: Flute Sonata in G Major, K. 379: II. (e) Andantino cantabile. Variation IV (Transcr. of Violin Sonata) | Wolfgang Amadeus Mozart, Emmanuel Pahud, Eric Le Sage | G Minor | 2 | 6A | 71 BPM | ||
Hexapoda: No. 2, Jane Shakes Her Head | Robert Russell Bennett, Patrick Savage, Martin Cousin | A Minor | 1 | 8A | 90 BPM | ||
Mozart: Flute Sonata in G Major, K. 379: II. (f) Andantino cantabile. Variation V (Transcr. of Violin Sonata) | Wolfgang Amadeus Mozart, Emmanuel Pahud, Eric Le Sage | G Major | 0 | 9B | 89 BPM | ||
Serenade in C Major, Op. 10: IV. Tema con variazioni: Andante con moto | Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay | C Major | 1 | 8B | 133 BPM | ||
The Lark Ascending: III. Allegretto molto tranquillo | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | F Minor | 0 | 4A | 124 BPM | ||
String Sextet No. 1 in B-Flat Major, Op. 18: III. Scherzo. Allegro molto | Johannes Brahms, Raphael Ensemble | F Major | 3 | 7B | 112 BPM | ||
Preludes, Op. 28: No. 6 in B Minor, B. 107 (Arr. for Cello Quartet by Sabina Meck) | Frédéric Chopin, Polish Cello Quartet | D♭ Minor | 0 | 12A | 124 BPM | ||
Cello Concerto in B Minor, Op. 104: III. Allegro moderato. Original Ending | Antonín Dvořák, Steven Isserlis, Daniel Harding, Mahler Chamber Orchestra | B Major | 0 | 1B | 77 BPM | ||
A Vila | Gabriel Kisters, João Marcondes, a Trupe deCompositores | C Major | 0 | 8B | 105 BPM |
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