"Preludes, Book 1: No. 4: Les sons et les parfums tournent dans l'air du soir" by Claude Debussy, François-Joël Thiollier was released on October 20, 1998. The duration of Preludes, Book 1: No. 4: Les sons et les parfums tournent dans l'air du soir is about 3 minutes long, at 3:02. Based on our data, "Preludes, Book 1: No. 4: Les sons et les parfums tournent dans l'air du soir" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 24 in Debussy: Piano Music, Vol. 4 - Preludes, Books 1 and 2 by Claude Debussy. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Preludes, Book 1: No. 4: Les sons et les parfums tournent dans l'air du soir is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Preludes, Book 1: No. 4: Les sons et les parfums tournent dans l'air du soir by Claude Debussy, François-Joël Thiollier is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite suite, L65: En bateau | Claude Debussy, Lestari Scholtes, Gwylim Janssens | G Major | 0 | 9B | 67 BPM | ||
Estampes, L. 100: I. Pagodes (modérément animé) | Claude Debussy, Alain Planès | B Major | 0 | 1B | 68 BPM | ||
Chants du Rhin, WD 52: Les rêves | Georges Bizet, Nathanaël Gouin | D♭ Major | 0 | 3B | 65 BPM | ||
Le Cygne | Camille Saint-Saëns, Stéphane Tétreault, Fabien Gabel, Orchestre Symphonique De Québec | G Major | 1 | 9B | 94 BPM | ||
Dawn - From "Pride & Prejudice" Soundtrack | Dario Marianelli, Jean-Yves Thibaudet | C Major | 1 | 8B | 79 BPM | ||
Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM | ||
Debussy: Piano Trio in G Major, CD 5, L. 3: III. Andante espressivo | Claude Debussy, Bertrand Chamayou, Edgar Moreau, Renaud Capuçon | C Major | 1 | 8B | 84 BPM | ||
Images, Set 1, L. 110: Reflets dans L'eau | Claude Debussy, Martin Jones | D♭ Major | 0 | 3B | 69 BPM | ||
Etude Op. 10 no. 1 in C Major | Valentina Lisitsa | C Major | 2 | 8B | 88 BPM | ||
Sospiri, Op. 70 | Edward Elgar, English Chamber Orchestra, Osian Ellis, Paul Goodwin | F Major | 0 | 7B | 113 BPM |
Section: 0.6675722599029541
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