Francois-Joseph Dizi, Edward Witsenburg's 'Romance in A-Flat Major, No. 21' came out on August 19, 2002. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Edward Witsenburg's "Harp Music from Six Centuries" album is number 11 out of 24. Based on our statistics, Romance in A-Flat Major, No. 21's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Romance in A-Flat Major, No. 21 by Francois-Joseph Dizi, Edward Witsenburg to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vẫn Có Em Bên Đời | Trần Hoài Phương | E Minor | 1 | 9A | 62 BPM | ||
Debussy: Préludes, Livre I, CD 125, L. 117: No. 8, La fille aux cheveux de lin (Arr. for Harp) | Claude Debussy, Lily Laskine | F♯ Major | 1 | 2B | 115 BPM | ||
Valse romantique, L. 71 (Transcr. Y. Kondonassis) | Claude Debussy, Yolanda Kondonassis | E♭ Major | 0 | 5B | 107 BPM | ||
Ouer the Dek Davie | The Royal Wind Music | B Major | 2 | 1B | 102 BPM | ||
Valses Poéticos H. 147, DLR 7:8: No. 7: Vivo | Enrique Granados, Xavier De Maistre | A Major | 0 | 11B | 50 BPM | ||
Das Erst Buch. Ein Newes Lautenbüchlein, 1544: Ein Gutter Venecianer Tantz, Mit Hupf Auff | Hans Neusidler, Joachim Held | B Minor | 1 | 10A | 159 BPM | ||
3 Pieces for Flute & Harp: I. Ricordanza | Elizabeth Poston, Korros Ensemble, Camilla Pay, Eliza Marshall | A Minor | 0 | 8A | 139 BPM | ||
Double Bass Concerto in A Major: I. Allegro moderato | Domenico Dragonetti, Massimo Giorgi, I Solisti Aquilani, Vittorio Antonellini | A Major | 1 | 11B | 120 BPM | ||
Sonata in G Minor: I. Preludio | Martino Bitti, La Camerata de Paris | F♯ Minor | 1 | 11A | 125 BPM | ||
Adagio and Rondo in C Minor, K. 617 (arr. A. Wurtzler): Rondo | Wolfgang Amadeus Mozart, Aristid Von Würtzler, Sylvia Kowalczuk, Hungarian Virtuosi | C Major | 1 | 8B | 80 BPM |
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