Wolfgang Amadeus Mozart, Aristid Von Würtzler, Sylvia Kowalczuk, Hungarian Virtuosi's 'Adagio and Rondo in C Minor, K. 617 (arr. A. Wurtzler): Rondo' came out on July 15, 2014. Adagio and Rondo in C Minor, K. 617 (arr. A. Wurtzler): Rondo is about six minutes long, preciously at 5:59, making this song fairly long compared to other songs. This song is part of Vivaldi: Lute Concerto in D Major (Arr. for Harp) / Grandjany: Rhapsodie by Aristid Von Würtzler, Sylvia Kowalczuk. The song's track number on the album is #6 out of 14 tracks. Adagio and Rondo in C Minor, K. 617 (arr. A. Wurtzler): Rondo is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Adagio and Rondo in C Minor, K. 617 (arr. A. Wurtzler): Rondo by Wolfgang Amadeus Mozart, Aristid Von Würtzler, Sylvia Kowalczuk, Hungarian Virtuosi has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Adagio and Rondo in C Minor, K. 617 (arr. A. Wurtzler): Rondo being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
The music key of this track is C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Simfonía concertant per a violí, viola i orquestra in E-Flat Major, K. 364: II. Andante | Wolfgang Amadeus Mozart, Orquestra De Cadaqués, Ludwig Mülller, Sir Neville Marriner, Caroline Harrison | C Minor | 0 | 5A | 88 BPM | ||
Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: I. Andante con Moto | Carl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo Fossi | E♭ Major | 2 | 5B | 49 BPM | ||
Violin Concerto No. 4 in D Minor, Op. 31: II. Adagio religioso | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | E♭ Major | 1 | 5B | 66 BPM | ||
Preliudai (Preludes): Preludias: Andante | Mikalojus Konstantinas Čiurlionis, Slovak Philharmonic, Juozas Domarkas | F Major | 1 | 7B | 72 BPM | ||
Sonata for Strings No. 2 in A Major: I. Allegro | Gioachino Rossini, Hungarian Virtuosi, Tamás Benedek | F♯ Major | 2 | 2B | 150 BPM | ||
Sonata No. 11 in G Major: II. Adagio assai | Leonardo Vinci, Claudio Ferrarini | D Major | 1 | 10B | 108 BPM | ||
Mozart: Horn Concerto No. 4 in E-Flat Major, K. 495: III. Rondo. Allegro vivace | Wolfgang Amadeus Mozart, Radovan Vlatkovic, English Chamber Orchestra, Jeffrey Tate | D Minor | 0 | 7A | 121 BPM | ||
11 Bagatelles, Op. 119: No. 3, À L'allemande | Ludwig van Beethoven, Irene Cantos | C Major | 1 | 8B | 68 BPM | ||
Traumerei | Curacao Sound Energy, Mako | E♭ Major | 2 | 5B | 120 BPM | ||
Melartin : Berceuse, Op. 44 No. 4 (Kehtolaulu) | Erkki Melartin, Kaija Saarikettu, Raija Kerppo | A♭ Major | 0 | 4B | 93 BPM |
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