Robert Schumann, American Horn Quartet, Sinfonia Varsovia, Dariusz Wisniewski made "Concertstuck in F Major, Op. 86: I. Lebhaft" available on December 13, 2005. Since Concertstuck in F Major, Op. 86: I. Lebhaft is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 17 in the song's album "Schumann: Konzertstuck, Op. 86 / Haydn: Symphony No. 31, 'Horn Signal'". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Concertstuck in F Major, Op. 86: I. Lebhaft's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Concertstuck in F Major, Op. 86: I. Lebhaft by Robert Schumann, American Horn Quartet, Sinfonia Varsovia, Dariusz Wisniewski having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata For Violin And Piano In A: 4. Allegretto poco mosso | César Franck, Itzhak Perlman, Vladimir Ashkenazy | A Major | 2 | 11B | 78 BPM | ||
Horn Concerto No. 2 in E Flat Major, TrV. 283: Allegro | Richard Strauss, Ronald Janezic, Wiener Philharmoniker, André Previn | C Major | 1 | 8B | 77 BPM | ||
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (d) Wieder zurückhaltend | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | F♯ Major | 0 | 2B | 144 BPM | ||
String Quartet No. 1 in E Minor, JB 1:105: III. Largo sostenuto | Bedřich Smetana, Pavel Haas Quartet | A♭ Major | 0 | 4B | 169 BPM | ||
Mahler: Symphony No. 2 in C Minor "Resurrection": II. Andante moderato. Sehr gemächlich. Nie eilen | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | A♭ Major | 0 | 4B | 93 BPM | ||
Grieg: Norwegian Dances, Op. 35: No. 4, Allegro molto | Edvard Grieg, Estonian National Symphony Orchestra, Paavo Järvi | D Minor | 1 | 7A | 114 BPM | ||
Märchenerzählungen for Piano, Clarinet and Viola, Op. 132 | Robert Schumann, Nash Ensemble | G Major | 0 | 9B | 87 BPM | ||
Bassoon Concerto in F, Op.75: 1. Allegro ma non troppo | Carl Maria von Weber, Milan Turkovic, Bamberg Symphony, Hanns-Martin Schneidt | F Major | 1 | 7B | 128 BPM | ||
13 Pieces, Op. 76: No. 4 Humoresque | Jean Sibelius, Håvard Gimse | D♭ Minor | 1 | 12A | 131 BPM | ||
Piano Concerto in A minor, Op. 16: II. Adagio | Edvard Grieg, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 77 BPM |
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