Dmitri Shostakovich, Sol Gabetta made "From Jewish Folk Poetry, Op. 79: VII. The Song of Misery (Arr. for Cello and String Orchestra)" available on October 17, 2014. With From Jewish Folk Poetry, Op. 79: VII. The Song of Misery (Arr. for Cello and String Orchestra) being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 11 in the song's album "Prayer". In this album, this song's track order is #8. Based on our statistics, From Jewish Folk Poetry, Op. 79: VII. The Song of Misery (Arr. for Cello and String Orchestra)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With From Jewish Folk Poetry, Op. 79: VII. The Song of Misery (Arr. for Cello and String Orchestra) by Dmitri Shostakovich, Sol Gabetta having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chopin: Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Jacqueline du Pré, Daniel Barenboim | B♭ Minor | 2 | 3A | 94 BPM | ||
Arpeggione Sonata, D. 821: II. Adagio | Franz Schubert, Anne Gastinel, Claire Désert | E Major | 0 | 12B | 73 BPM | ||
Zoroastre, RCT 62, Acte III, Scène VII: Gavotte en rondeau | Jean-Philippe Rameau, Teodor Currentzis | A♭ Minor | 1 | 1A | 116 BPM | ||
5 Mélodies populaires grecques: 2. Là-bas, vers l'église | Maurice Ravel, Mischa Maisky, Daria Hovora | D♭ Minor | 0 | 12A | 70 BPM | ||
Fauré / Transc. Büsser: 3 Mélodies, Op. 7: No. 1, Après un rêve | Gabriel Fauré, Gautier Capuçon, Douglas Boyd, Orchestre de chambre de Paris | F Minor | 1 | 4A | 83 BPM | ||
Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM | ||
Ballet Suite No. 4 (arr. L. Atovmyan): Waltz (The Song of Great Rivers) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 96 BPM | ||
Loutky (Puppets), H. 92: No. 1. Pierrotovo zastavenicko (Pierrot's Serenade) | Bohuslav Martinů, Giorgio Koukl | G Minor | 0 | 6A | 169 BPM | ||
Concerto No. 2 for Cello and String Orchestra, "Klatbutne / Presence": III. Adagio | Pēteris Vasks, Sol Gabetta | E Minor | 1 | 9A | 80 BPM | ||
Il bell'Antonio, Tema III | Giovanni Sollima, Yo-Yo Ma, Kathryn Stott | C Minor | 1 | 5A | 88 BPM |
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