"Concerto No. 2 for Cello and String Orchestra, "Klatbutne / Presence": III. Adagio" by Pēteris Vasks, Sol Gabetta was released on November 6, 2015. Concerto No. 2 for Cello and String Orchestra, "Klatbutne / Presence": III. Adagio appears to be safe for all ages as it is not explicit. This song is part of Vasks: Presence by Pēteris Vasks, Sol Gabetta. The song's track number on the album is #3 out of 6 tracks. Concerto No. 2 for Cello and String Orchestra, "Klatbutne / Presence": III. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Concerto No. 2 for Cello and String Orchestra, "Klatbutne / Presence": III. Adagio by Pēteris Vasks, Sol Gabetta has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Concerto No. 2 for Cello and String Orchestra, "Klatbutne / Presence": III. Adagio being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto con 2 violini e viola da gamba, Archi e continuo (Sol Minore, RV 578): I. Adagio e spiccato | Antonio Vivaldi, Manfredo Kraemer, Pablo Valetti, Luca Guglielmi, Jordi Savall, Le Concert Des Nations | F♯ Major | 4 | 2B | 115 BPM | ||
Suite No. 3, Op. 19, No. 1 (version for 2 violins and string orchestra): III. Vision: Allegro moderato | Kurt Atterberg, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | E Minor | 2 | 9A | 110 BPM | ||
Song For Athene | John Tavener, Nicola Benedetti, London Philharmonic Orchestra, Andrew Litton | B♭ Major | 0 | 6B | 97 BPM | ||
Andante cantabile (Arr. for Cello and Orchestra from String Quartet No. 1 in D Major, Op. 11) | Pyotr Ilyich Tchaikovsky, Sol Gabetta, Ari Rasilainen | B Major | 0 | 1B | 95 BPM | ||
Wild Swans Suite - Version For Violin And Piano: 2. Eliza Aria | Elena Kats-Chernin, Daniel Hope, Jacques Ammon | F Major | 1 | 7B | 164 BPM | ||
Cello Concerto in E minor, Op. 85: I. Adagio - Moderato | Sol Gabetta | E Minor | 1 | 9A | 100 BPM | ||
Elegie, Op. 24 (version for cello and orchestra) | Gabriel Fauré, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | A♭ Major | 0 | 4B | 86 BPM | ||
Mozart-Adagio, for Violin, Cello & Piano | Arvo Pärt, Benjamin Hudson, Sebastian Klinger, Jürgen Kruse | F Minor | 0 | 4A | 67 BPM | ||
Variations on a Rococo Theme, Op. 33: Moderato quasi Andante | Pyotr Ilyich Tchaikovsky, Sol Gabetta, Ari Rasilainen | D♭ Major | 0 | 3B | 121 BPM | ||
Soliloquy for Oboe and Orchestra (Orch. by Gordon Jacob) | Edward Elgar, Albrecht Mayer, Bamberg Symphony, Jakub Hrůša | A Minor | 0 | 8A | 76 BPM |
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