Richard Mayr's 'O Isis und Osiris Die (Die Zauberflöte)' came out on August 27, 2006. The duration of O Isis und Osiris Die (Die Zauberflöte) is about 3 minutes long, at 3:05. Based on our data, "O Isis und Osiris Die (Die Zauberflöte)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 69 in the song's album "Unvergessene Stimmen der Wiener Staatsoper". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Austria. In terms of popularity, O Isis und Osiris Die (Die Zauberflöte) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With O Isis und Osiris Die (Die Zauberflöte) by Richard Mayr having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Barbiere Di Siviglia: Overture | Gioachino Rossini, Donato Renzetti, Orchestra Filarmonica Gioachino Rossini | G Major | 2 | 9B | 136 BPM | ||
Symphony No. 1 in G Minor, Op. 7: II. Andante | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | C Major | 1 | 8B | 98 BPM | ||
Symphony No. 9 in D Minor, Op. 125 "Choral": II. Molto vivace - Presto | Ludwig van Beethoven, Antonello Manacorda, Kammerakademie Potsdam | G Major | 3 | 9B | 72 BPM | ||
Suite d'orchestre No. 3, Op. 79: II. Molto moderato | Moritz Moszkowski, Sinfonia Varsovia, Ian Hobson | F Major | 0 | 7B | 93 BPM | ||
Waldstein (First Movement) | Junior dos Santos Silva | B♭ Minor | 2 | 3A | 81 BPM | ||
Piano Concerto for the Left Hand No. 2: III. Finale | Josef Labor, Oliver Triendl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Eugene Tzigane | E♭ Major | 1 | 5B | 109 BPM | ||
To a Wild Rose | Andre Kostelanetz & His Orchestra, Andre Kostelanetz | A Major | 1 | 11B | 137 BPM | ||
Der Rosenkavalier, Op. 59, TrV 227 (abridged version): Act II: Mir ist die Ehre widerfahren | Richard Strauss, Lotte Lehmann, Richard Mayr, Maria Olszewska, Elisabeth Schumann, Wiener Philharmoniker, Robert Heger | E♭ Major | 1 | 5B | 67 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto (1) | Sergei Rachmaninoff, Klára Würtz, Ukraine National Symphony Orchestra, Vladimir Sirenko | E Major | 0 | 12B | 46 BPM | ||
Die Spanier in Peru, oder Rollas Tod, Act I: Ouverture | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | G Major | 0 | 9B | 123 BPM |
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