"Danzas argentinas, Op. 2: II. Danza de la moza donosa (Dolcemente espressivo)" by Alberto Ginastera, Francois Xavier Poizat was released on June 26, 2015. The duration of Danzas argentinas, Op. 2: II. Danza de la moza donosa (Dolcemente espressivo) is about 3 minutes long, at 3:26. Based on our data, "Danzas argentinas, Op. 2: II. Danza de la moza donosa (Dolcemente espressivo)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Alberto Ginastera, Francois Xavier Poizat's "Ginastera: Danzas Argentinas, Piano Sonata 1, Suite de danzas criollas, 3 Pieces" album is number 2 out of 17. Danzas argentinas, Op. 2: II. Danza de la moza donosa (Dolcemente espressivo) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Danzas argentinas, Op. 2: II. Danza de la moza donosa (Dolcemente espressivo) by Alberto Ginastera, Francois Xavier Poizat to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Sonate pour flûte, alto et harpe: I. Pastorale. Lento, dolce rubato | Claude Debussy, Philippe Bernold, Gérard Caussé, Isabelle Moretti, Ariane Jacob | F Major | 0 | 7B | 100 BPM | ||
Cello Sonata No. 1 in E Minor, Op. 38: II. Allegretto quasi menuetto | Johannes Brahms, Maria Kliegel, Kristin Merscher | A Minor | 0 | 8A | 104 BPM | ||
21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 1 in G Minor | Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride | G Minor | 2 | 6A | 138 BPM | ||
Tres Piezas, Op. 6: I. Cuyana | Alberto Ginastera, Fernanda Morello | C Major | 1 | 8B | 75 BPM | ||
6 Consolations, S. 172: No. 2 in E Major (Un Poco Più Mosso) | Franz Liszt, Daniel Barenboim | B Major | 0 | 1B | 69 BPM | ||
Valses poeticos: No. 1. Melodic Waltz | Enrique Granados, Douglas Riva | E♭ Major | 0 | 5B | 78 BPM | ||
Nocturne | Lili Boulanger, Janine Jansen, Itamar Golan | F Major | 0 | 7B | 85 BPM | ||
Petrouchka - Three Movements for Piano (1921) / Scene 1: IV. Russian Dance | Igor Stravinsky, Yuja Wang | A Minor | 3 | 8A | 118 BPM | ||
Scherzo No. 2 in B-Flat Minor, Op. 31: Presto | Frédéric Chopin, Martha Argerich | D♭ Major | 1 | 3B | 74 BPM | ||
Fauré: Nocturne No. 1 in E-Flat Minor, Op. 33 No. 1 | Gabriel Fauré, Jean-Philippe Collard | A Major | 1 | 11B | 172 BPM |
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