"Abschied vom Walde, Op. 59/3" by Felix Mendelssohn, Thomas Hengelbrock was released on June 1, 2012. The duration of Abschied vom Walde, Op. 59/3 is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Abschied vom Walde, Op. 59/3's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Nachtwache". In this album, this song's track order is #10. In terms of popularity, Abschied vom Walde, Op. 59/3 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Abschied vom Walde, Op. 59/3 by Felix Mendelssohn, Thomas Hengelbrock having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Morgensang af Elverskud | Niels Gade, Concert Clemens, Carsten Seyer-Hansen | G Major | 2 | 9B | 131 BPM | ||
Annchen von Tharau | Friedrich Silcher, Meistersinger, Die, Klaus Breuninger | C Major | 2 | 8B | 0 BPM | ||
Liebesliederwalzer, Op. 52: VIII. Wenn so lind dein Auge mir | Johannes Brahms, Georg Friedrich Daumer, Werner Güra, Konrad Jarnot, Camillo Radicke, Christoph Berner, Stella Doufexis, Marlis Petersen | B Major | 3 | 1B | 90 BPM | ||
Gloria: Cum Sancto Spiritu | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 3 | 3B | 121 BPM | ||
O Haupt voll blut und wunden: III. Choral "Ich will hier bei dir Stehen" | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | D Major | 2 | 10B | 83 BPM | ||
Four Vocal Quartets with piano, Op. 92: II. Spätherbst | Johannes Brahms, RIAS Kammerchor, Alain Planès | D♭ Major | 1 | 3B | 106 BPM | ||
Nachtlied | Max Reger, Stephan Lutermann, Vokalconsort Osnabrück | B Minor | 0 | 10A | 130 BPM | ||
Elias, Op. 70: Teil II: Hebe deine Augen auf | Felix Mendelssohn, Thomas Hengelbrock | F Minor | 1 | 4A | 82 BPM | ||
Kirchenmusik, Op. 23: II. Ave Maria, MWV B20 | Felix Mendelssohn, La Chapelle Royale, Collegium Vocale Gent, Orchestre de chambre de Paris, Philippe Herreweghe | D Major | 1 | 10B | 77 BPM | ||
Tristis Est Anima Mea | Johann Kuhnau | F Minor | 1 | 4A | 134 BPM |
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