Joseph Haydn, René Jacobs, Freiburger Barockorchester, Marlis Petersen made "Der Winter: "Licht und Leben sind geschwächet"" available on 2004. With Der Winter: "Licht und Leben sind geschwächet" being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Joseph Haydn, René Jacobs, Freiburger Barockorchester's "Haydn: Die Jahreszeiten" album is number 14 out of 44. On top of that, France appears to be the country where this track was created. Based on our statistics, Der Winter: "Licht und Leben sind geschwächet"'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Der Winter: "Licht und Leben sind geschwächet" by Joseph Haydn, René Jacobs, Freiburger Barockorchester, Marlis Petersen to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
Piano Trio No. 1 in E-Flat Major, Op. 12: I. Allegro agitato | Johann Nepomuk Hummel, Borodin Trio | B♭ Major | 1 | 6B | 95 BPM | ||
Piano Quintet In A, Op.81, B. 155: 3. Scherzo (Furiant) (Molto vivace) | Antonín Dvořák, Menahem Pressler, Emerson String Quartet | A Major | 1 | 11B | 70 BPM | ||
Bassoon Concerto in F, Op.75: 1. Allegro ma non troppo | Carl Maria von Weber, Milan Turkovic, Bamberg Symphony, Hanns-Martin Schneidt | F Major | 1 | 7B | 128 BPM | ||
Piano Sonata in F Major, KV332: II. Adagio | Ingrid Haebler | B♭ Major | 0 | 6B | 73 BPM | ||
Concerto In The Italian Style, BWV 971, "Italian Concerto": III. Presto | Janos Sebestyen, Johann Sebastian Bach | F Major | 3 | 7B | 111 BPM | ||
Symphony in C Major, Op. 3, No. 2, W. C2: III. Allegro assai | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | C Major | 1 | 8B | 73 BPM | ||
Divertimento for 2 Flutes and Cello (Bassoon) in C Major, Hob. IV:1 "London Trio No. 1": I. Allegro moderato | Unknown, Franz Joseph Haydn, Jean-Pierre Rampal, Wolfgang Schultz, Gilbert Audin | C Major | 1 | 8B | 139 BPM | ||
Bassoon Concerto in F Major, WoO 23, S63: I. Allegro moderato | Johann Nepomuk Hummel, Claudio Gonella, Orchestra Internazionale D'Italia, Diego Dini Ciacci | F Major | 1 | 7B | 118 BPM | ||
Keyboard Sonata in A Major, Wq. 55/4, H. 186: I. Allegro assai | Carl Philipp Emanuel Bach, Christopher Hinterhuber | G Major | 2 | 9B | 116 BPM |
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