"Die Frau ohne Schatten, Op. 65, TrV 234 / Act 3: Trifft mich sein Lieben nicht - Live" by Richard Strauss, Birgit Nilsson, Walter Berry, Sally Arneson, Marjorie Vance, Sylvia Herman, Milkana Nikolova, Gertrude Jahn, Margaretha Hintermeier, Vienna State Opera Orchestra, Karl Böhm was released on January 1, 1985. The duration of Die Frau ohne Schatten, Op. 65, TrV 234 / Act 3: Trifft mich sein Lieben nicht - Live is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Die Frau ohne Schatten, Op. 65, TrV 234 / Act 3: Trifft mich sein Lieben nicht - Live's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 39 in the song's album "Strauss, R.: Die Frau ohne Schatten". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. Die Frau ohne Schatten, Op. 65, TrV 234 / Act 3: Trifft mich sein Lieben nicht - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die Frau ohne Schatten, Op. 65, TrV 234 / Act 3: Trifft mich sein Lieben nicht - Live by Richard Strauss, Birgit Nilsson, Walter Berry, Sally Arneson, Marjorie Vance, Sylvia Herman, Milkana Nikolova, Gertrude Jahn, Margaretha Hintermeier, Vienna State Opera Orchestra, Karl Böhm having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 in D, Op. 25 "Classical Symphony": 1. Allegro | Sergei Prokofiev, London Symphony Orchestra, Valery Gergiev | F♯ Minor | 0 | 11A | 78 BPM | ||
Jazz Suite No.2: 2. Lyric Waltz | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | C Minor | 1 | 5A | 84 BPM | ||
Death of Usurer: Adagio | Valery Gergiev, London Symphony Orchestra | C Minor | 0 | 5A | 108 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Tristan und Isolde, WWV 90: Prelude To Act I | Richard Wagner, Gewandhausorchester Leipzig, Andris Nelsons | A Minor | 1 | 8A | 79 BPM | ||
Alborada del gracioso, M. 43 - Orchestral Version | Maurice Ravel, Sherman Walt, Boston Symphony Orchestra, Seiji Ozawa | D Major | 1 | 10B | 118 BPM | ||
Keyboard Concerto No. 5 in F Minor, BWV 1056: I. [Allegro] | Johann Sebastian Bach, Simone Dinnerstein, Staatskapelle Berlin | B♭ Minor | 3 | 3A | 143 BPM | ||
Piano Concerto No.4 in G minor, Op.40: 1. Allegro vivace (Alla breve) | Sergei Rachmaninoff, Vladimir Ashkenazy, London Symphony Orchestra, André Previn | E♭ Major | 1 | 5B | 67 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 110 BPM | ||
Sorochinskaya yarmarka (Sorochintsi Fair): Gopak (Hopak) (arr. N. Rimsky-Korsakov for orchestra) | Modest Mussorgsky, Nikolai Rimsky-Korsakov, Ukraine National Symphony Orchestra, Theodore Kuchar | E♭ Major | 2 | 5B | 66 BPM |
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