Brian Ferneyhough, Neue Vocalsolisten Stuttgart, Nicolas Hodges, Mats Scheidegger, Nieuw Ensemble, Jurjen Hempel made "Shadowtime, Scene 6, 7 Tableaux Vivants Representing the Angel of History as Melancholia: One and a Half Truths" available on April 1, 2012. With Shadowtime, Scene 6, 7 Tableaux Vivants Representing the Angel of History as Melancholia: One and a Half Truths being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 19 out of 37 in Ferneyhough: Shadowtime by Brian Ferneyhough, Neue Vocalsolisten Stuttgart, Nieuw Ensemble, Jurjen Hempel. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Shadowtime, Scene 6, 7 Tableaux Vivants Representing the Angel of History as Melancholia: One and a Half Truths is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Shadowtime, Scene 6, 7 Tableaux Vivants Representing the Angel of History as Melancholia: One and a Half Truths by Brian Ferneyhough, Neue Vocalsolisten Stuttgart, Nicolas Hodges, Mats Scheidegger, Nieuw Ensemble, Jurjen Hempel is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
pleasing | Quiet Wonder | F Major | 0 | 7B | 123 BPM | ||
Nazareth pour le Nazaréen | MateenOS | C Major | 3 | 8B | 97 BPM | ||
The Dreams & Prayers of Isaac the Blind: Postlude | Osvaldo Golijov, Emil Jonason, Vamlingbo Quartet | N/A | N/A | N/A | 0 BPM | ||
Suite from The Miraculous Mandarin, Op. 19, Sz. 73, BB 82: IV. Third Decoy Game | Béla Bartók, The Cleveland Orchestra, Franz Welser-Möst | F Minor | 1 | 4A | 101 BPM | ||
Murder Ballades for Chamber Ensemble 4 Wave the Sea | Bryce Dessner, Joe Hisaishi, ミュージック・フューチャー・バンド | F Major | 2 | 7B | 149 BPM | ||
String Quartet No. 1 in A Minor, Op. 41 No. 1: III. Adagio | Robert Schumann, Quatuor Hanson | E♭ Major | 4 | 5B | 109 BPM | ||
Douze Notations Pour Piano (1945): Hiératique | Pierre Boulez, Pi-hsien Chen | G Major | 0 | 9B | 84 BPM | ||
Three Latin Prayers for solo voice: Ave Maria for violoncello solo | Giacinto Scelsi, Frances-Marie Uitti | E Minor | 0 | 9A | 80 BPM | ||
Violin Concerto in C Major: I. Allegro moderato: section 5 | Havergal Brian, Marat Bisengaliev, BBC Scottish Symphony Orchestra, Lionel Friend | E Major | 0 | 12B | 101 BPM | ||
Concerto for Violin and Orchestra: IV. Fast | Julia Perry, Curtis J Stewart, James Blachly, Experiential Orchestra | C Major | 4 | 8B | 89 BPM |
Section: 0.7894339561462402
End: 0.7927427291870117