"Akram Khan's Giselle (After A. Adam): Ceremony" by Vincenzo Lamagna, English National Ballet Philharmonic, Gavin Sutherland was released on June 17, 2022. Since Akram Khan's Giselle (After A. Adam): Ceremony is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Vincenzo Lamagna: Akram Khan's Giselle by Vincenzo Lamagna, English National Ballet Philharmonic, Gavin Sutherland. The song's track number on the album is #5 out of 12 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Akram Khan's Giselle (After A. Adam): Ceremony's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Akram Khan's Giselle (After A. Adam): Ceremony by Vincenzo Lamagna, English National Ballet Philharmonic, Gavin Sutherland has a tempo of 139 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Akram Khan's Giselle (After A. Adam): Ceremony being at 139 BPM, the half-time would be 70 BPM with a double-time of 278 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 1/4.
The music key of this track is B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Traditional Hornpipe Suite: Irish | Adrian Cruft, Royal Ballet Sinfonia, Gavin Sutherland | A Minor | 0 | 8A | 117 BPM | ||
Dance: I. First Movement | Oliver Davis, Kerenza Peacock, Huw Watkins, Paul Bateman | G Minor | 3 | 6A | 185 BPM | ||
Grand Finale | Kirill Richter | G Minor | 0 | 6A | 110 BPM | ||
A Downland Suite (completed by G. Bush): III. Minuet | Geoffrey Bush, John Ireland, Royal Ballet Sinfonia, Gavin Sutherland | B♭ Major | 1 | 6B | 120 BPM | ||
Violin Concerto: II. - | Philip Glass, Adele Anthony, Ulster Orchestra, Takuo Yuasa | C Minor | 1 | 5A | 82 BPM | ||
Sinuosity | Laurent Dury | C Major | 1 | 8B | 220 BPM | ||
Akram Khan's Giselle (After A. Adam): Ceremony | Vincenzo Lamagna, English National Ballet Philharmonic, Gavin Sutherland | B♭ Major | 1 | 6B | 139 BPM | ||
Ophelia | Kirill Richter | B Minor | 0 | 10A | 67 BPM | ||
Chacony in G Minor, Z. 730 (arr. B. Britten) | Henry Purcell, Benjamin Britten, Royal Ballet Sinfonia, Gavin Sutherland | G Minor | 1 | 6A | 104 BPM | ||
Murder On The Orient Express - Overture | Richard Rodney Bennett, Valentina Lisitsa, BBC Concert Orchestra, Gavin Sutherland | F Minor | 2 | 4A | 114 BPM |
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