Heitor Villa-Lobos, Norbert Kraft's '12 Etudes: No. 9 Tres un peu anime' came out on October 20, 2000. The duration of 12 Etudes: No. 9 Tres un peu anime is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. 12 Etudes: No. 9 Tres un peu anime's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Villa-Lobos: Music for Solo Guitar (Complete) by Heitor Villa-Lobos, Norbert Kraft. The song's track number on the album is #15 out of 23 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. 12 Etudes: No. 9 Tres un peu anime is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since 12 Etudes: No. 9 Tres un peu anime by Heitor Villa-Lobos, Norbert Kraft has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With 12 Etudes: No. 9 Tres un peu anime being at 84 BPM, the half-time would be 42 BPM with a double-time of 168 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bachianas brasileiras No. 1: II. Preludio: Modinha | Heitor Villa-Lobos, Nashville Symphony Orchestra Cellos, Andrew Mogrelia | D Minor | 0 | 7A | 82 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Schumann: Fantasiestücke Op. 73: I. Zart und mit Ausdruck | Robert Schumann, Anneleen Lenaerts, Dionysis Grammenos | A Minor | 0 | 8A | 138 BPM | ||
Nocturne in B-Flat Major | Maria Szymanowska, Anna Ciborowska | B♭ Major | 1 | 6B | 78 BPM | ||
Sonatina canonica, Op. 196: III. Fandango en Rondeau | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | A Minor | 2 | 8A | 113 BPM | ||
Handel: Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Jupiter, Thomas Dunford | D♭ Minor | 1 | 12A | 76 BPM | ||
Gavotte - Arr. for Cello and Piano | Jean-Baptiste Lully, Mischa Maisky, Pavel Gililov | D Minor | 0 | 7A | 85 BPM | ||
Children's Corner, L. 113: 6. Golliwogg's Cakewalk | Claude Debussy, Nelson Freire | F Minor | 1 | 4A | 69 BPM | ||
7 Canciones populares españolas (Arr. E. Desimpelaere for Double Bass & Piano): No. 5, Nana | Manuel de Falla, David Desimpelaere, Erik Desimpelaere | A Major | 0 | 11B | 76 BPM |
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