"Debussy: Syrinx, CD 137, L. 129" by Claude Debussy, Jean-Pierre Rampal was released on January 7, 2022. The duration of Debussy: Syrinx, CD 137, L. 129 is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Debussy: Syrinx, CD 137, L. 129's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 57 in the song's album "The Flute Master". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. The popularity of Debussy: Syrinx, CD 137, L. 129 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Debussy: Syrinx, CD 137, L. 129 by Claude Debussy, Jean-Pierre Rampal having a BPM of 167 with a half-time of 84 BPM and a double-time of 334 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Solfeggio, H. 220 | Carl Philipp Emanuel Bach, Rebecca Chambers | C Minor | 2 | 5A | 125 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Prelude in C Major, BWV 846 | Johann Sebastian Bach, Alistair McGowan | C Major | 1 | 8B | 122 BPM | ||
Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Adagio cantabile | Ludwig van Beethoven, François-Frédéric Guy | A♭ Major | 0 | 4B | 170 BPM | ||
Pavane pour une infante défunte, M. 19 | Maurice Ravel, Anna Vinnitskaya | E Minor | 0 | 9A | 67 BPM | ||
Frühlingsglaube (Arr. Franz Liszt) | Franz Schubert | A♭ Major | 3 | 4B | 64 BPM | ||
Suite Bergamasque, L. 75: Passepied | Claude Debussy, Martin Jones | F♯ Minor | 0 | 11A | 90 BPM | ||
Debussy / Arr. Roelens: Suite bergamasque, CD 82, L. 75: III. Clair de lune | Claude Debussy, David Oistrakh, Vladimir Yampolsky | D♭ Major | 0 | 3B | 93 BPM | ||
Organ Sonata No. 4, BWV 528: II. Andante [Adagio] (Transcr. by August Stradal) | Johann Sebastian Bach, Víkingur Ólafsson | B Minor | 0 | 10A | 71 BPM |
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