Murray Perahia's 'Fantasiestücke, Op. 12: 7. Traumes Wirren. Aeusserst lebhaft' came out on 1973. The duration of Fantasiestücke, Op. 12: 7. Traumes Wirren. Aeusserst lebhaft is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Fantasiestücke, Op. 12: 7. Traumes Wirren. Aeusserst lebhaft's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 59 in the song's album "Original Album Classics - Murray Perahia". In this album, this song's track order is #25. In terms of popularity, Fantasiestücke, Op. 12: 7. Traumes Wirren. Aeusserst lebhaft is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Fantasiestücke, Op. 12: 7. Traumes Wirren. Aeusserst lebhaft by Murray Perahia having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Keyboard Sonatina in C Major, Op. 36, No. 1: II. Andante | Muzio Clementi, Chun-Young June | F Major | 0 | 7B | 91 BPM | ||
6 Moments musicaux, Op.16: No. 5 in D flat, Adagio sostenuto | Sergei Rachmaninoff, Vladimir Ashkenazy | D♭ Major | 0 | 3B | 63 BPM | ||
Keyboard Sonatina In D Major, Op. 36, No. 6: II. Rondo: Allegretto Spiritoso | Muzio Clementi, Balazs Szokolay | D Major | 2 | 10B | 123 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: III. Scherzo. Vivace | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | F Major | 2 | 7B | 130 BPM | ||
Waldszenen, Op. 82: No. 3. Einsame Blumen (Solitary Flowers) | Robert Schumann, Martin Helmchen | B♭ Major | 0 | 6B | 80 BPM | ||
Piano Concerto No. 20 in D Minor, K. 466: II. Romance | Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra | B♭ Major | 0 | 6B | 80 BPM | ||
Préludes / Book 1, L. 117: VIII. La fille aux cheveux de lin | Claude Debussy, Arturo Benedetti Michelangeli | C Major | 3 | 8B | 78 BPM | ||
Préludes / Book 1, L.117: 6. Des pas sur la neige | Claude Debussy, Pierre-Laurent Aimard | F Major | 0 | 7B | 132 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM |
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