"Sonata No. 5 in A Minor: IV. Adagio" by Giovanni Battista Bassani, Ensemble StilModerno was released on December 11, 2012. With Sonata No. 5 in A Minor: IV. Adagio being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 26 out of 58 in Bassani: Sinfonie, Op. 5 by Giovanni Battista Bassani, Ensemble StilModerno. Based on our statistics, Sonata No. 5 in A Minor: IV. Adagio's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata No. 5 in A Minor: IV. Adagio by Giovanni Battista Bassani, Ensemble StilModerno is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Who made thee, Hob, forsake the Plough? | William Byrd, Dorothee Mields, Magdalene Harer, Boreas Quartett Bremen, Hathor Consort | A♭ Major | 2 | 4B | 101 BPM | ||
Exaudiat te Dominus, LWV 77 No. 15: VIII. Gloria Patri et Filio | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Missa Sancti Pauli: No. 5, Et in terra pax | Francesco Bartolomeo Conti, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | G Major | 3 | 9B | 120 BPM | ||
2. Notenbüchlein für Anna Magdalena Bach: I. No. 38, Aria: Schlummert ein, ihr matten Augen, BWV 82/3 | Johann Sebastian Bach, Aki Matsui, Masaaki Suzuki, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 3. Oro supplex et acclinis | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen | B Minor | 1 | 10A | 139 BPM | ||
Ich fahre auf zu meinem Vater, TWV 1:825: I. Chorus "Ich fahre auf zu meinem Vater" | Georg Philipp Telemann, Vox Luminis, Freiburger Barockorchester, Lionel Meunier, Viola Blache, Sebastian Myrus | E Major | 3 | 12B | 94 BPM | ||
Missa Sancti Spiritus, ZWV 4: Osanna in excelsis | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | B Major | 3 | 1B | 98 BPM | ||
Suite in C Minor: I. Préludio in C solfaut | Nicola Matteis, Le Consort | B Major | 0 | 1B | 84 BPM | ||
Sonate in D minor: I. Lentement | Anne Danican Philidor, Dorothee Oberlinger | D♭ Minor | 1 | 12A | 52 BPM | ||
Première suite à 3 violes in D Major: No. 3, Courante | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Major | 2 | 3B | 111 BPM |
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