Karl Stangenberg, Karl Frey made "Sonata No. 11 in F Major for Recorder and Harpsichord, HWV 369, Op. 1: I. Larghetto" available on December 6, 2011. With Sonata No. 11 in F Major for Recorder and Harpsichord, HWV 369, Op. 1: I. Larghetto being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "The Best Baroque Keyboard Music". In this album, this song's track order is #10. Sonata No. 11 in F Major for Recorder and Harpsichord, HWV 369, Op. 1: I. Larghetto is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Sonata No. 11 in F Major for Recorder and Harpsichord, HWV 369, Op. 1: I. Larghetto by Karl Stangenberg, Karl Frey having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in F Major, Op. 1, No. 1: III. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 123 BPM | ||
Quintet No. 9 for Guitar and Strings in C Major, G. 453 - "La ritirata di Madrid": I. Allegro maestoso assai | Luigi Boccherini, Narciso Yepes, Melos Quartet | C Major | 1 | 8B | 65 BPM | ||
Concerto a 5 in G, Op. 9, No. 6 for 2 Oboes, Strings, and Continuo - Rev. Giegling: 2. Adagio | Tomaso Albinoni, Heinz Holliger, Maurice Bourgue, I Musici, Maria Teresa Garatti | G Major | 9 | 9B | 124 BPM | ||
Sinfonia Iii C Major - I - Allegro Assai | Josef Mysliveček, Czech Chamber Philharmonic | G Major | 3 | 9B | 147 BPM | ||
Concerto for Flute and 2 Violins in G Major: III. Allegro spiritoso | Giovanni Battista Pergolesi, Raffaele Trevisani, Moscow Chamber Orchestra, Constantine Orbelian | G Major | 1 | 9B | 109 BPM | ||
Suite From Abdelzar: VI. Air | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Minor | 2 | 11A | 101 BPM | ||
Concerto for Oboe in F Major, Op. 52: III. Rondo: Allegretto | Franz Krommer, Heinz Holliger, English Chamber Orchestra | F Major | 2 | 7B | 148 BPM | ||
Suite a fur Blockflote, Streicher und Generalbass: Air a l'Italien | Cologne Chamber Orchestra | A Minor | 1 | 8A | 76 BPM | ||
Bach Orchestral Suite No.2 in B Minor, BWV 1076: II. Rondeau | London Conchord Ensemble, Florian Uhlig | B Minor | 1 | 10A | 143 BPM | ||
Cello Concerto in G Major, RV 415: III. Alla breve (Presto) | Musici di San Marco & Alberto Lizzio | F♯ Major | 1 | 2B | 129 BPM |
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