"From Sacro-Profanus Concentus Musicus - Sonata" by Combattimento Consort Amsterdam, Jan Willem de Vriend was released on September 21, 2000. With this song being about 5 minutes long, at 5:02, "From Sacro-Profanus Concentus Musicus - Sonata" by Combattimento Consort Amsterdam, Jan Willem de Vriend is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Combattimento Consort Amsterdam's "Music Works by Purcell, Schmelzer, Biber and J.S.Bach" album is number 11 out of 18. From Sacro-Profanus Concentus Musicus - Sonata is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of From Sacro-Profanus Concentus Musicus - Sonata by Combattimento Consort Amsterdam, Jan Willem de Vriend to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sei Concerti in sette parti: No. 3 in F Major: V. Allegro | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | B Major | 5 | 1B | 82 BPM | ||
Spängler-Menuett VI | Leopold Mozart, Bankhaus Spängler | G Major | 1 | 9B | 138 BPM | ||
Overture in G Minor: VII. Rigaudon | Giuseppe Antonio Brescianello, Cetra Baroque Orchestra Basel, La, David Plantier, Vaclav Luks | F♯ Minor | 2 | 11A | 154 BPM | ||
Concerto Grosso IV in E-Flat Major, Op. 3: III. Affettuoso | Pieter Hellendaal, Combattimento Consort Amsterdam, Jan Willem de Vriend | C Minor | 0 | 5A | 130 BPM | ||
Concerto in G major: Allegro | Membri Dell'Accademia Della Magnifica Comunita | F♯ Major | 1 | 2B | 100 BPM | ||
From Oster-Oratorium, BWV 249: Sinfonia | Johann Sebastian Bach, Combattimento Consort Amsterdam, Han De Vries | B Minor | 1 | 10A | 83 BPM | ||
Ouverture in E Minor, TWV 55:e1: I. Ouverture. Lentement - Vite - Lentement - Vite - Lentement | Georg Philipp Telemann, Musica Amphion, Pieter-Jan Belder | E♭ Minor | 2 | 2A | 119 BPM | ||
Sinphonia No. 5 for Strings & Continuo in F Major, Op. 1.10: II. Presto | Giuseppe Antonio Brescianello, La Serenissima, Adrian Chandler | E♭ Major | 2 | 5B | 105 BPM | ||
Concerto grosso No. 6 in D Major: II. Con furia (After D. Scarlatti's Kk. 29) [1] | Charles Avison, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 139 BPM | ||
Rinaldo, HWV 7b: Act III Scene 11: Battaglia | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | A Major | 3 | 11B | 179 BPM |
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