"Symphony No. 93 in D Major, Hob. I:93: II. Largo cantabile" by Franz Joseph Haydn, London Symphony Orchestra, Sir Colin Davis was released on June 30, 2014. Symphony No. 93 in D Major, Hob. I:93: II. Largo cantabile is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. The track order of this song in Franz Joseph Haydn, London Symphony Orchestra, Sir Colin Davis's "Haydn: Symphonies Nos. 92, 93, & 97-99" album is number 6 out of 20. In terms of popularity, Symphony No. 93 in D Major, Hob. I:93: II. Largo cantabile is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 93 in D Major, Hob. I:93: II. Largo cantabile by Franz Joseph Haydn, London Symphony Orchestra, Sir Colin Davis to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte, Op. 30: 6. Allegretto tranquillo "Venetian Gondola Song" | Felix Mendelssohn, András Schiff | F♯ Minor | 0 | 11A | 135 BPM | ||
Symphony No. 9 in E minor, Op. 95 "From the New World": 2. Largo - Extract | Antonín Dvořák, Chicago Symphony Orchestra, Sir Georg Solti | D♭ Major | 0 | 3B | 61 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Concerto for three violins BWV 1064R: Concerto for three violins BWV 1064R: III. Allegro | Johann Sebastian Bach, Petra Mullejans, Gottfried Von Der Goltz, Anne-Katharina Schreiber | D♭ Major | 3 | 3B | 97 BPM | ||
Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 108 BPM | ||
Piano concerto No. 2 in G Minor, Op. 22: II. Allegro scherzando | Camille Saint-Saëns, Vadym Kholodenko, The Norwegian Radio Orchestra, Miguel Harth-Bedoya | G Minor | 0 | 6A | 80 BPM | ||
Violin Concerto No. 2 in B Minor, Op. 7, MS. 48: 3. Ronde à la clochette | Niccolò Paganini, Ruggiero Ricci, London Symphony Orchestra, Anthony Collins | G Major | 2 | 9B | 121 BPM | ||
String Quartet No.12 In F Major, Op.96 - "American" B.179: 4. Finale (Vivace ma non troppo) | Antonín Dvořák, Hagen Quartett | F Major | 1 | 7B | 80 BPM | ||
Symphony No. 5 in B-Flat Major, D. 485: I. Allegro | Franz Schubert, Bamberg Symphony, Jonathan Nott | E Major | 0 | 12B | 79 BPM | ||
Tzigane, M. 76 (Version for Violin & Orchestra) | Maurice Ravel, Itzhak Perlman, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 90 BPM |
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