Michel Richard Delalande, Jürgen Groß, Elbipolis Barockorchester Hamburg made "Première Caprice, Caprice de Villers-Cotterets: Air" available on January 23, 2015. The duration of Première Caprice, Caprice de Villers-Cotterets: Air is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Première Caprice, Caprice de Villers-Cotterets: Air's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "Symphonies pour les soupers du Roy". In this album, this song's track order is #5. In terms of popularity, Première Caprice, Caprice de Villers-Cotterets: Air is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Première Caprice, Caprice de Villers-Cotterets: Air by Michel Richard Delalande, Jürgen Groß, Elbipolis Barockorchester Hamburg having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Éléments, S.153, Prologue "Le Chaos": Ouverture | Andre Cardinal Destouches, Michel Richard Delalande, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | F♯ Minor | 4 | 11A | 113 BPM | ||
Airs for the Spring: Ranunculus: III. Tempo di minuetto | James Oswald, The Broadside Band | A Major | 2 | 11B | 120 BPM | ||
Pasión: Vere Languóres. Alto Solo. | Anónimo, Ensamble Moxos, Raquel Maldonado | D♭ Minor | 4 | 12A | 89 BPM | ||
Dido and Aeneas, Z.626, Act II Scene 1, The Cave: But Ere We This Perform (Two Witches) | Henry Purcell, Les Argonautes, Jonas Descotte, Ana Vieira Leite, Julie Roset | F♯ Major | 1 | 2B | 84 BPM | ||
Chamber Sonata No. 1 in B-Flat Major: III. Adagio | Élisabeth Jacquet de La Guerre, Musica Fiorita | F♯ Minor | 1 | 11A | 88 BPM | ||
Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. II: No. 21. Recitativ, "Wie sieht dein Haar" (Zion) | Johann Sebastian Bach, Christian Friedrich Henrici, Il Gardellino, Alexander Grychtolik, Miriam Feuersinger | A♭ Minor | 2 | 1A | 96 BPM | ||
Magnificat, Wq.215: I. 01 Tutti »Magnificat anima mea Dominum« | Michael Alexander Willens, Kölner Akademie, Hanna Herfurtner, Elvira Bill, Georg Poplutz, Matthias Vieweg, Kolner Akademie Choir | F♯ Major | 1 | 2B | 172 BPM | ||
Bach, CPE: Magnificat in D Minor, Wq. 215: II. Quia respexit | Carl Philipp Emanuel Bach, Geraint Jones, Jennifer Vyvyan, Geraint Jones Orchestra | D Major | 4 | 10B | 121 BPM | ||
De profundis, S. 23: No. 1, De profundis clamavi (Live) | Michel Richard Delalande, Lisandro Abadie, Les Chantres du Centre de Musique Baroque de Versailles, Les Pages du Centre de Musique Baroque de Versailles, Collegium Marianum, Olivier Schneebeli | E Minor | 1 | 9A | 173 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Chiamo il mio ben così" (Orfeo) | Christoph Willibald Gluck, Stefan Plewniak, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM |
Section: 0.662203311920166
End: 0.6694381237030029