"Sonata in D Minor, K. 32: Aria - Arr. for Guitar by Narciso Yepes" by Domenico Scarlatti, Narciso Yepes was released on January 1, 1988. The duration of Sonata in D Minor, K. 32: Aria - Arr. for Guitar by Narciso Yepes is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Sonata in D Minor, K. 32: Aria - Arr. for Guitar by Narciso Yepes's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Scarlatti: Sonatas (Transcription: Narciso Yepes)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. Based on our statistics, Sonata in D Minor, K. 32: Aria - Arr. for Guitar by Narciso Yepes's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonata in D Minor, K. 32: Aria - Arr. for Guitar by Narciso Yepes by Domenico Scarlatti, Narciso Yepes having a BPM of 147 with a half-time of 74 BPM and a double-time of 294 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. VII (HWV 432) - Allegro | George Frideric Handel, David Russell | D Minor | 3 | 7A | 175 BPM | ||
Schwanengesang, D. 957: No. 1. Liebesbotschaft (Love's Messenger) (arr. J. K. Mertz) | Franz Schubert, Johann Kaspar Mertz, Gerald Garcia | G Major | 1 | 9B | 86 BPM | ||
Campanas del Alba | Eduardo Sainz De La Maza, Johannes Möller | B Minor | 1 | 10A | 84 BPM | ||
De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: I. Allemande "La Royale" | Robert de Visée, Jean Rondeau | D♭ Minor | 2 | 12A | 125 BPM | ||
4 Mazurkas : No. 3. Marieta | Norbert Kraft | A Major | 0 | 11B | 124 BPM | ||
Studio Op.100 N.11 - Allegro | Mauro Giuliani, Lucio Matarazzo | A Major | 1 | 11B | 118 BPM | ||
Estudios Sencillos: II. Coral | Leo Brouwer, Emanuele Buono | C Major | 0 | 8B | 104 BPM | ||
6 Etudes: Leccion No. 24 | Norbert Kraft | A Major | 0 | 11B | 105 BPM | ||
Serenata Española | Narciso Yepes | A Minor | 1 | 8A | 103 BPM | ||
Valse, Op. 69: No. 2 | Frédéric Chopin, Roland Dyens, Tatyana Ryzhkova | B Minor | 2 | 10A | 171 BPM |
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