Tomaso Albinoni, Pierre Pierlot, Claudio Scimone, I Solisti Veneti made "Albinoni: Oboe Concerto in C Major, Op. 9 No. 5: III. Allegro" available on January 1, 1968. The duration of Albinoni: Oboe Concerto in C Major, Op. 9 No. 5: III. Allegro is about 3 minutes long, at 3:09. Based on our data, "Albinoni: Oboe Concerto in C Major, Op. 9 No. 5: III. Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 18 in Albinoni: Concertos pour hautbois, violon et continuo, Op. 9 Nos. 1 - 6 by Tomaso Albinoni, Pierre Pierlot, Piero Toso, I Solisti Veneti, Claudio Scimone. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Albinoni: Oboe Concerto in C Major, Op. 9 No. 5: III. Allegro's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Albinoni: Oboe Concerto in C Major, Op. 9 No. 5: III. Allegro by Tomaso Albinoni, Pierre Pierlot, Claudio Scimone, I Solisti Veneti is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in C Minor, Op. 2, No. 2: III. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 57 BPM | ||
Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
Il pianto d'Arianna in E-Flat Major, Op. 7 No.6: X. Largo | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | D Minor | 0 | 7A | 97 BPM | ||
Concerto Grosso No. 3 in D Minor (after D. Scarlatti): I. Largo andante | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Major | 1 | 3B | 96 BPM | ||
Concerto for 2 Oboes in D Major, Op. 7, No. 8: I. Allegro | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | D Major | 3 | 10B | 109 BPM | ||
Concerto for Trumpet, 2 Oboes, Strings and Continuo: II. Largo | Johann Friedrich Fasch, Giuliano Sommerhalder, Kammerorchester Basel, Julia Schröder | D♭ Major | 1 | 3B | 81 BPM | ||
Folias echa para mi Señora Doña Tarolilla de Carallenos | Andrea Falconieri, London Baroque | B Major | 3 | 1B | 78 BPM | ||
Symphony in G Major, Op. 3 No. 1, WolS G2: II. Andante non adagio | Johann Stamitz, Musica Viva, Alexander Rudin | F♯ Major | 0 | 2B | 125 BPM | ||
Overture in G Minor | Johan Helmich Roman, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 12: V. Giga: Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Daniela Ruso, Ludovit Kanta, Capella Istropolitana | F Major | 2 | 7B | 88 BPM |
Section: 0.5587081909179688
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