"Valses nobles et sentimentales, M.61: 4. Assez animé" by Maurice Ravel, Boston Symphony Orchestra, Seiji Ozawa was released on January 1, 2000. With Valses nobles et sentimentales, M.61: 4. Assez animé being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Ravel: Alborada del Gracioso; La Valse; Rhapsodie Espagnole etc.". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Germany. In terms of popularity, Valses nobles et sentimentales, M.61: 4. Assez animé is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Valses nobles et sentimentales, M.61: 4. Assez animé by Maurice Ravel, Boston Symphony Orchestra, Seiji Ozawa having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piece en forme de habanera (arr. N. Mercz): Vocalise-etude en forme de habanera | Nora Mercz, Maurice Ravel, Janos Balint | G Minor | 0 | 6A | 70 BPM | ||
Pictures At An Exhibition: The Tuileries Gardens | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | E♭ Minor | 0 | 2A | 105 BPM | ||
Symphony No. 3: II. Allegro molto | Aaron Copland, New York Philharmonic, Leonard Bernstein | G Minor | 1 | 6A | 65 BPM | ||
String Quartet No. 1 in E Minor, JB 1:105: III. Largo sostenuto | Bedřich Smetana, Pavel Haas Quartet | A♭ Major | 0 | 4B | 169 BPM | ||
Mercure, Scene 2: Bain des Grâces | Erik Satie, Orchestre Symphonique et Lyrique de Nancy, Jerome Kaltenbach | A♭ Major | 0 | 4B | 170 BPM | ||
Sonatine: II. Mouvement De Menuet - Welte-Mignon 2887 | Maurice Ravel, Peter Phillips | E Major | 1 | 12B | 85 BPM | ||
Piano Concerto No. 3 in D Minor, Op. 30: II. Intermezzo. Adagio | Sergei Rachmaninoff, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | D Major | 3 | 10B | 131 BPM | ||
Aus aller Herren Landern (From Foreign Lands), Op. 23: II. Italian: Presto | Moritz Moszkowski, Markus Pawlik, Polish National Radio Symphony Orchestra, Antoni Wit | E Major | 2 | 12B | 171 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Piano Concerto in A minor, Op. 16: II. Adagio | Edvard Grieg, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 77 BPM |
Section: 0.7090811729431152
End: 0.7143704891204834