"Daphnis et Chloé, Part I: Interlude" by CBSO Chorus, Sir Simon Rattle, City Of Birmingham Symphony Orchestra, Simon Halsey was released on 1992. Daphnis et Chloé, Part I: Interlude is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. There are a total of 14 in the song's album "Ravel: Daphnis et Chloé - Boléro". In this album, this song's track order is #8. Daphnis et Chloé, Part I: Interlude is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Daphnis et Chloé, Part I: Interlude by CBSO Chorus, Sir Simon Rattle, City Of Birmingham Symphony Orchestra, Simon Halsey having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa brevis Sancti Joannis de Deo "Little Organ Mass" XXII:7: Kyrie - Adagio | American Bach Soloists | B♭ Major | 1 | 6B | 104 BPM | ||
Gloria: V. The Exaltation: Deomine Deus | Karl Jenkins, National Youth Choir Of Great Britain, London Symphony Orchestra, Mike Brewer, Jody K. Jenkins | A Major | 3 | 11B | 132 BPM | ||
Evening Service in D Major: I. Magnificat | George Dyson, Exeter Cathedral Choir, Paul Morgan, Lucian Nethsingha | D Major | 2 | 10B | 104 BPM | ||
Australian Up-Country Song | Percy Grainger, Academy of St. Martin in the Fields Chorus, Richard Hickox | E♭ Major | 0 | 5B | 77 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: I. Kyrie | Josef Rheinberger, Ensemble Stuttgart, Frieder Bernius, Kammerchor Stuttgart | E♭ Major | 1 | 5B | 66 BPM | ||
Les 7 paroles du Christ: 5e Parole - "Sitio" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | B♭ Minor | 1 | 3A | 141 BPM | ||
Gloria: 1. Gloria | Francis Poulenc, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | B♭ Major | 2 | 6B | 130 BPM | ||
Tantum ergo in E-Flat Major, D. 962 | Franz Schubert, Barbara Bonney, Dalia Schaechter, Jorge Pita, Andreas Schmidt, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener Staatsoper | B♭ Major | 1 | 6B | 82 BPM | ||
The Dream of Gerontius, Op. 38, Pt.1: Proficiscere, anima Christiana | Sir Edward Elgar, Bryn Terfel, Sir Mark Elder, Hallé | D Major | 1 | 10B | 167 BPM | ||
Carmina Burana: III. Veris leta facies | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | D Major | 0 | 10B | 127 BPM |
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