Antonín Dvořák, Katia Labèque, Marielle Labèque made "8 Slavonic Dances, Op. 46, B.83 - For Piano Duet: No. 8 in G Minor (Presto)" available on September 4, 1992. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 16 in Dvorák: Slavonic Dances by Antonín Dvořák, Katia Labèque, Marielle Labèque. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. 8 Slavonic Dances, Op. 46, B.83 - For Piano Duet: No. 8 in G Minor (Presto) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of 8 Slavonic Dances, Op. 46, B.83 - For Piano Duet: No. 8 in G Minor (Presto) by Antonín Dvořák, Katia Labèque, Marielle Labèque is Lento (slowly), since this song has a tempo of 52 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Préludes, Op.28: 15. In D Flat Major | Frédéric Chopin, Martha Argerich | D♭ Major | 0 | 3B | 95 BPM | ||
Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 110 BPM | ||
Pavane, Op. 50 (Version for Piano) | Gabriel Fauré, Jorge Federico Osorio | F♯ Minor | 0 | 11A | 75 BPM | ||
Rage Over A Lost Penny, Op. 129 | Valentina Lisitsa | G Major | 2 | 9B | 80 BPM | ||
Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Minor | 6 | 3A | 89 BPM | ||
Raymonda, Op. 57: Act III - Variation IV | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Minor | 0 | 7A | 90 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Bertrand Chamayou | E Minor | 0 | 9A | 126 BPM | ||
Chopin: Piano Sonata No. 1 in C Minor, Op. 4: I. Allegro maestoso | Frédéric Chopin, Leif Ove Andsnes | C Minor | 1 | 5A | 76 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM |
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