- BPM
- 83
- Key
- D Minor
- Camelot
- 7A
Chapitres tournés en tous sens: 3. Regrets des enfermés (Jonas et Latude) - Erik Satie, Jean-Yves Thibaudet Information
- Acousticness
- 99%
- Danceability
- 49%
- Energy
- 1%
- Instrumentalness
- 91%
- Liveness
- 9%
- Loudness
- 54%
- Speechiness
- 6%
- Valence
- 13%
- Popularity
- 7%
- Loudness
- -27.545 dB
Summary
"Chapitres tournés en tous sens: 3. Regrets des enfermés (Jonas et Latude)" by Erik Satie, Jean-Yves Thibaudet was released on December 27, 2021. The duration of Chapitres tournés en tous sens: 3. Regrets des enfermés (Jonas et Latude) is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Chapitres tournés en tous sens: 3. Regrets des enfermés (Jonas et Latude)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 141 out of 195 in Classical for Winter: Satie by Erik Satie, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Chapitres tournés en tous sens: 3. Regrets des enfermés (Jonas et Latude) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Chapitres tournés en tous sens: 3. Regrets des enfermés (Jonas et Latude) BPM
The tempo marking of Chapitres tournés en tous sens: 3. Regrets des enfermés (Jonas et Latude) by Erik Satie, Jean-Yves Thibaudet is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Chapitres tournés en tous sens: 3. Regrets des enfermés (Jonas et Latude) Key
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | |
 | Gnossienne No. 4 | Erik Satie, Nicolas Horvath | A Minor | 1 | 8A | 111 BPM | |
 | Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, David Zinman | C Minor | 0 | 5A | 173 BPM | |
 | Gnossienne No. 1 | Erik Satie, Giacomo Scinardo | F Minor | 0 | 4A | 99 BPM | |
 | 16 Waltzes, Op. 39 (1867 version): No. 3 in G-Sharp Minor | Johannes Brahms, Idil Biret | A♭ Minor | 0 | 1A | 124 BPM | |
 | Pavane pour une infante défunte, M. 19 | Maurice Ravel, Anna Vinnitskaya | E Minor | 0 | 9A | 67 BPM | |
 | Tchaikovsky / Arr. Stetsuk for Cello and Orchestra: 16 Children's Songs, Op. 54: No. 10, Lullaby in a Storm | Pyotr Ilyich Tchaikovsky, Alexander Kniazev, Constantine Orbelian, Moscow Chamber Orchestra | D Minor | 0 | 7A | 89 BPM | |
 | Valse sentimentale, Op. 51, No. 6 | Pyotr Ilyich Tchaikovsky, Josef Sakonov, London Festival Orchestra | E Minor | 1 | 9A | 97 BPM | |
 | Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | |
 | Today and it’s gone (Munich Session) | Carlos Cipa | D Major | 6 | 10B | 187 BPM |
- ISRC
- GBBBA0200903
- Label
- L-M Records/RCA Records
Section: 0.7920379638671875
End: 0.7958707809448242