"Carmen (1997 Digital Remaster), Act 2: Chanson bohème: les tringles des sistres tintaient" by Orchestre de l'Opéra National de Paris, Georges Prêtre, Maria Callas was released on 1997. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Maria Callas's "Maria Callas" album is number 11 out of 27. Based on our statistics, Carmen (1997 Digital Remaster), Act 2: Chanson bohème: les tringles des sistres tintaient's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Carmen (1997 Digital Remaster), Act 2: Chanson bohème: les tringles des sistres tintaient by Orchestre de l'Opéra National de Paris, Georges Prêtre, Maria Callas to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lady Macbeth of Mtsensk District / Act 2: Sergéy, Seryóza! Vsyo spit | Dmitri Shostakovich, Maria Ewing, Sergej Larin, Orchestre de l'Opéra Bastille, Myung-Whun Chung | C Major | 0 | 8B | 167 BPM | ||
Lady Macbeth of Mtsensk District / Act 4: Vstaváy! Po mestám! Zívo! | Dmitri Shostakovich, Carlos Álvarez, Kurt Moll, Elena Zaremba, Orchestre de l'Opéra Bastille, Myung-Whun Chung, Choeurs de l'Opera Bastille, Gunter Wagner | C Major | 0 | 8B | 167 BPM | ||
Otello / Act IV: Ave Maria, piena di grazia | Giuseppe Verdi, Cheryl Studer, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Minor | 0 | 9A | 81 BPM | ||
Le Nozze di Figaro, K. 492: Sinfonia | Wolfgang Amadeus Mozart, Concerto Köln, René Jacobs | D Major | 1 | 10B | 142 BPM | ||
Dido and Aeneas, Z. 626: Act III: When I am Laid in Earth | Henry Purcell, Leontyne Price, Francesco Molinari-Pradelli | G Minor | 1 | 6A | 86 BPM | ||
Stravinsky: Le Rossignol, Act I: "Porté au vent, tombant au loin" (Le Pêcheur) | Igor Stravinsky, James Conlon, Vsevolod Grivnov, Orchestre de l'Opéra National de Paris | D Major | 1 | 10B | 93 BPM | ||
Slavonic Dance No. 2 in E Minor, Op. 72 | London Philharmonic Orchestra | C Major | 3 | 8B | 97 BPM | ||
Manon, Act II: Allons, il le faut - Adieu, notre petite table | Jules Massenet, Kathleen Battle, Choeurs de l'Opera Bastille, Denis Dubois, Orchestre de l’Opéra national de Paris, Myung-Whun Chung | C Major | 0 | 8B | 84 BPM | ||
Bizet: Carmen, WD 31, Act 4 Scene 2: No. 27, Duo, "C'est toi! C'est moi!" - No. 28, Choeur final, "Viva viva! La course est belle!" (Carmen, Don José, Chorus) | Georges Bizet, Maria Callas, Nicolai Gedda, Choeurs Rene Duclos, Choeurs D'Enfants Jean Pesneaud, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | D♭ Major | 2 | 3B | 119 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM |
Section: 0.76462721824646
End: 0.7682688236236572