"Communion: Beati (Mode I)" by Benedictine Nuns of Saint-Michel de Kergonan was released on 1995. With this song being about 5 minutes long, at 5:17, "Communion: Beati (Mode I)" by Benedictine Nuns of Saint-Michel de Kergonan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 23 in the song's album "The Martyr Saints: The Mass of Saint Étienne". In this album, this song's track order is #14. Based on our statistics, Communion: Beati (Mode I)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Communion: Beati (Mode I) by Benedictine Nuns of Saint-Michel de Kergonan having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Office of Compline: Psalm 133 | The Cathedral Singers | E Minor | 1 | 9A | 82 BPM | ||
Cantus Officiorum: Antiphona: In exitu Israel | Ambrosian Chant,, Cappella Musicale del Duomo di Milano, Luciano Migliavacca | B♭ Major | 1 | 6B | 177 BPM | ||
Vespro della Beata Vergine, SV 206: XVIII. Antiphona "Ab initio et ante saecula creata sum" | Roberto Zarpellon, Venice Monteverdi Academy | C Major | 1 | 8B | 78 BPM | ||
Toni Orationes Dominicae - Pater Noster C | Marek Klein | F♯ Minor | 0 | 11A | 78 BPM | ||
Missus est Gabriel: The Angel Gabriel Is Sent to Mary | Traditional, Benedictine Nuns of Saint-Michel de Kergonan | E Major | 1 | 12B | 138 BPM | ||
In Manus Tuas | Dominican Friars of the Province of Ireland | C Major | 1 | 8B | 76 BPM | ||
Custódes hóminum | Gloriae Dei Cantores, Kathy Schuman, Elizabeth C. Patterson | F♯ Major | 1 | 2B | 130 BPM | ||
Beatus Vir | Hildegard von Bingen, Stevie Wishart, Sinfonye, Guy Sigsworth | E Minor | 0 | 9A | 86 BPM | ||
Office des laudes : 2ème antienne et omnes angeli - psaume | Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan, Dom Gaston le Nézet | F Major | 0 | 7B | 129 BPM | ||
Come, Follow After Me | The Schola Cantorum of St. Peter the Apostle, J Michael Thompson | E♭ Major | 1 | 5B | 139 BPM |
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