"Passio Domini nostri Jesu Christi secundum Joannem, Scene 9: "Postea sciens Jesus quia omnia consummata sunt"" by Francesco Feo, John the Evangelist, La Divina Armonia, Lorenzo Ghielmi, Krystian Adam, Doron Schleifer had its release date on 2009. The duration of This song is about 3 minutes long, at 3:14. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "St John Passion". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Belgium. Passio Domini nostri Jesu Christi secundum Joannem, Scene 9: "Postea sciens Jesus quia omnia consummata sunt" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Passio Domini nostri Jesu Christi secundum Joannem, Scene 9: "Postea sciens Jesus quia omnia consummata sunt" by Francesco Feo, John the Evangelist, La Divina Armonia, Lorenzo Ghielmi, Krystian Adam, Doron Schleifer having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso In F Major, Op. 6, No. 6 : III. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D Minor | 1 | 7A | 55 BPM | ||
In furore iustissimae irae, RV 626: III. Largo | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | F♯ Minor | 0 | 11A | 97 BPM | ||
Concerto a 5 in D Minor, Op. 9, No. 2 for Oboe, Strings, and Continuo: II. Adagio | Tomaso Albinoni, David Reichenberg, The English Concert, Trevor Pinnock | A Major | 1 | 11B | 68 BPM | ||
Triumphe de L'Amour (1681): Prélude pour la nuit | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | D♭ Minor | 0 | 12A | 127 BPM | ||
Porpora: Semiramide riconosciuta, Act 2: "Se pietoso il tuo labbro" (Mirteo) | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | F♯ Major | 0 | 2B | 65 BPM | ||
Oboe Concerto in F Minor, TWV 51:f2: I. Allegro | Georg Philipp Telemann, Marcel Ponseele, Il Gardellino | E Minor | 3 | 9A | 126 BPM | ||
Laudate pueri in G Major, RV 601 "Salmo 112": II. Sit nomen Domini (Allegro) | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | E♭ Minor | 1 | 2A | 121 BPM | ||
Polifemo: Lontan dal solo e caro… Lusingato dalla speme (Ed. Sanderson) | Nicola Porpora, Cecilia Bartoli, Pier-Luigi Fabretti, Il Giardino Armonico, Giovanni Antonini | F♯ Major | 1 | 2B | 78 BPM | ||
La morte del Giusto e del Peccatore: Duetto: Importuna e spaventosa (Non presto) - Cantata For Soprano, Contralto and B.c. | Francesco Feo, Lucia Casagrande Raffi, Elisabetta Pallucchi, Romabarocca Ensemble, Lorenzo Tozzi | D Major | 1 | 10B | 69 BPM | ||
Overture No. 6 in B-Flat Major: I. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Minor | 3 | 11A | 178 BPM |