"24 Préludes, Op. 28: 2. in A minor" by Frédéric Chopin, Stefan Askenase was released on January 1, 2004. The duration of 24 Préludes, Op. 28: 2. in A minor is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. 24 Préludes, Op. 28: 2. in A minor's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 109 in Complete 1950s Recordings on Deutsche Grammophon by Frédéric Chopin, Stefan Askenase. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, 24 Préludes, Op. 28: 2. in A minor's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 24 Préludes, Op. 28: 2. in A minor by Frédéric Chopin, Stefan Askenase is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
6 Bagatelles, Op. 97: No. 3: Kleiner Walzer | Jean Sibelius, Håvard Gimse | E Major | 1 | 12B | 83 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: II. Andante | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Minor | 0 | 5A | 78 BPM | ||
Bagatelles et impromptus: VII. Love | Bedřich Smetana, William Howard | A Major | 0 | 11B | 71 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, David Zinman | C Minor | 0 | 5A | 173 BPM | ||
Lullaby, Op. 57 No. 2 (Arr. for Cello & Piano) | Cyril Scott, Richard Jenkinson, Benjamin Frith | D Major | 0 | 10B | 91 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM |
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