"6 Nocturnes, Op. 186: Nocturne No. 5: Adagio con molta espressione" by Johann Wenzel Kalliwoda, Ashan Pillai, Michael Endres was released on January 1, 2007. With this song being about 5 minutes long, at 5:01, "6 Nocturnes, Op. 186: Nocturne No. 5: Adagio con molta espressione" by Johann Wenzel Kalliwoda, Ashan Pillai, Michael Endres is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Schubert: Arpeggione Sonata / Schwanengesang (Arr. for Viola and Piano) / Kalliwoda: 6 Nocturnes". In this album, this song's track order is #8. In terms of popularity, 6 Nocturnes, Op. 186: Nocturne No. 5: Adagio con molta espressione is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 6 Nocturnes, Op. 186: Nocturne No. 5: Adagio con molta espressione by Johann Wenzel Kalliwoda, Ashan Pillai, Michael Endres having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Pezzi, P. 31: No. 1. Berceuse | Ottorino Respighi, Emy Bernecoli, Massimo Giuseppe Bianchi | D Minor | 1 | 7A | 102 BPM | ||
6 Nocturnes, Op. 186: Nocturne No. 2: Allegretto ma un poco vivo | Johann Wenzel Kalliwoda, Ashan Pillai, Michael Endres | C Major | 1 | 8B | 97 BPM | ||
Dichterliebe, Op. 48: I. Im wunderschönen Monat Mai (Arr. for Viola & Piano) | Robert Schumann, Timothy Ridout, Frank Dupree | D♭ Major | 0 | 3B | 99 BPM | ||
Preludes, Op. 28: No. 6 in B Minor, B. 107 (Arr. for Cello Quartet by Sabina Meck) | Frédéric Chopin, Polish Cello Quartet | D♭ Minor | 0 | 12A | 124 BPM | ||
Serenade No. 1 in D Major, Op. 11: IVa. Menuetto I | Johannes Brahms, Gävle Symphony Orchestra, Jaime Martin | B♭ Minor | 0 | 3A | 60 BPM | ||
Cello Sonata No. 1 in E Minor, Op. 38: III. Allegro - Più presto | Johannes Brahms, Mstislav Rostropovich, Rudolf Serkin | A♭ Major | 2 | 4B | 83 BPM | ||
Sonata in G Minor, K. 450: Allegrissimo | Domenico Scarlatti, Ivo Pogorelich | G Minor | 2 | 6A | 100 BPM | ||
12 Etudes d'exécution transcendante, S.139: No.3 Paysage (Poco adagio) | Franz Liszt, Daniil Trifonov | F Major | 0 | 7B | 67 BPM | ||
弦楽四重奏曲 第8番 変ロ長調 D.112/第3楽章:メヌエット、アレグロ-トリオ(『ストーリー・オブ・マイライフ/わたしの若草物語』より) | オーストリア弦楽四重奏団 | E Minor | 0 | 9A | 68 BPM | ||
Prelude and Fugue in C sharp minor (WTK, Book I, No.4), BWV 849 | Johann Sebastian Bach, András Schiff | D♭ Minor | 1 | 12A | 123 BPM |
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